DraculaPenguin, 2003 M04 29 - 560 páginas Bram Stoker's peerless tale of desperate battle against a powerful, ancient vampire When Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, he makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England: a ship runs aground on the shores of Whitby, its crew vanished; beautiful Lucy Westenra slowly succumbs to a mysterious, wasting illness, her blood drained away; and the lunatic Renfield raves about the imminent arrival of his 'master'. In the ensuing battle of wills between the sinister Count and a determined group of adversaries - led by the intrepid vampire hunter Abraham van Helsing - Bram Stoker created a masterpiece of the horror genre, probing into questions of identity, sanity and the dark corners of Victorian sexuality and desire. For this completely updated edition, Maurice Hindle has revised his introduction, list of further reading and notes, and added two appendices: Stoker's essay on censorship and his interview with Winston Churchill, both published in 1908. Christopher Frayling's preface discusses the significance and the influences that contributed to his creation of the Dracula myth. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
Dentro del libro
Resultados 1-5 de 46
Página x
... lips but throat . Old Count interferes - rage & fury diabolical - this man belongs to me I want him . ' This bad dream was eventually to turn into Jonathan Harker's fictional journal entry for the night of 15 May in the novel : ' I ...
... lips but throat . Old Count interferes - rage & fury diabolical - this man belongs to me I want him . ' This bad dream was eventually to turn into Jonathan Harker's fictional journal entry for the night of 15 May in the novel : ' I ...
Página xxi
... lips like an animal , till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth . Lower and lower went her head as the lips went below the range of my mouth and ...
... lips like an animal , till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth . Lower and lower went her head as the lips went below the range of my mouth and ...
Página xxii
... lips . The body shook and quivered and twisted in wild contortions ; the sharp white teeth champed together till the lips were cut , and the mouth was smeared with a crimson foam . But Arthur never faltered . He looked like a figure of ...
... lips . The body shook and quivered and twisted in wild contortions ; the sharp white teeth champed together till the lips were cut , and the mouth was smeared with a crimson foam . But Arthur never faltered . He looked like a figure of ...
Página xxiii
... lip . If proof were needed that sex was the monster which troubled Stoker most , it is evident from an article " The Censorship of Fiction ' , published in The Nineteenth Century and After in 1908. Appearing the same year as his Daily ...
... lip . If proof were needed that sex was the monster which troubled Stoker most , it is evident from an article " The Censorship of Fiction ' , published in The Nineteenth Century and After in 1908. Appearing the same year as his Daily ...
Página xxxiv
... lips but throat . Old Count interferes - rage & fury diabolical - this man belongs to me I want him.43 Christopher Craft has also noticed how the novel's primary anxiety ' derives from Dracula's hovering interest in Jonathan Harker ...
... lips but throat . Old Count interferes - rage & fury diabolical - this man belongs to me I want him.43 Christopher Craft has also noticed how the novel's primary anxiety ' derives from Dracula's hovering interest in Jonathan Harker ...
Contenido
VII | 7 |
VIII | 21 |
IX | 34 |
X | 48 |
XI | 62 |
XII | 71 |
XIII | 85 |
XV | 99 |
XXV | 243 |
XXVI | 260 |
XXVII | 274 |
XXVIII | 289 |
XXIX | 304 |
XXX | 317 |
XXXI | 331 |
XXXII | 346 |
XVI | 114 |
XVII | 128 |
XVIII | 143 |
XIX | 156 |
XX | 174 |
XXI | 184 |
XXII | 203 |
XXIII | 218 |
XXIV | 229 |
XXXIII | 362 |
XXXIV | 380 |
XXXV | 399 |
XXXVI | 408 |
XXXVII | 415 |
XXXVIII | 427 |
XXXIX | 435 |
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Términos y frases comunes
ABRAHAM VAN HELSING answered Arthur ARTHUR HOLMWOOD asked began blood Borgo Pass Bram Stoker Bram Stoker's Dracula castle coming Count Count Dracula dark dead death door Dr Seward DR SEWARD'S DIARY Dr Van Helsing Dracula dread evil eyes face fear feel felt friend John Galatz hand Harker HARKER'S JOURNAL hear heard heart Helsing's Henry Irving horror horses hypnotic Irving keep knew letter lips London looked Lord Godalming LUCY WESTENRA Lucy's Madam mind morning never novel once passed pause Penguin Peter Hawkins poor dear Professor Quincey Morris Renfield round seemed silence sleep smile sort soul speak spoke stood strange sweet tell terrible things thought told tonight took Transylvania turned Un-Dead vampire Varna wait wake watch Westenra whilst Whitby window wolves woman word write