Othello As Tragedy: Some Problems of Judgement and Feeling

Portada
Cambridge University Press, 1980 M10 30 - 300 páginas
Critical views of Othello have polarized during the last forty years. The dispute is between those who follow Coleridge and Bradley and see Othello as noble but diabolically misled, and those who follow Eliot and Leavis and see him as a criminal egotist. Jane Adamson argues that both views are too simple and that both deprive the play of tragic point. She is concerned to reinstate the play as a great tragedy, and Othello as a complex tragic figure. She considers in detail how the drama unfolds; how Othello's predicament provides a focus for moral questions raised in all the other characters; how the reader or spectator becomes painfully involved with similar questions in trying to understand the action; and how in these ways the play continually undercuts easy moral simplifications. During this study a great deal else in Shakespeare is illuminated - especially his insight into the need for love, and the dangers that are inseparable from that need.
 

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Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximately 1603, and based on the Italian short story "Un Capitano Moro" ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. The work revolves around four central characters: Othello, a Moorish general in the Venetian army; his wife Desdemona; his lieutenant, Cassio; and his trusted ensign Iago. Because of its varied and current themes of racism, love, jealousy, and betrayal Othello is still often performed in professional and community theatres alike and has been the basis for numerous operatic, film, and literary adaptations. by nyabuti 

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Preface page
1
the first two acts
28
Iagos place in the play
64
the first two acts
107
Othellos crisis in Acts
136
Othellos
181
the plays
214
The power to hurt and be hurt past
264
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