...by learning, is a cultivated history, whose gray-headed style, though not metrical, is well combed, and robs three pilots of the sacred bark from time...on masses of foam, but the gates of immortality." The meaning of this, as it is set forth in ten pages of commentary by one of his admirers, is as follows:—...

...gray-headed style, though not metrical, is well combed, and robs three pilots of the sacred bark from tune and rescues them from oblivion. But the pen that thus...on masses of foam, but the gates of immortality." The meaning of this, as it is set forth in ten pages of commentary by one of his admirers, is as follows...

...church from the devastations of time, and rescues them from oblivion. But the pen that thus immortalises the heavenly turn-keys on the bronze of its history is not a pen, but the key of ages. It throws open to their names, not the gates of failing memory which stamps shadows on masses of poem,...

...cuyo encanecido Estilo, si no metrico, peynado, Tres ya pilotos del baxel sagrado Hurta al tietnpo, y redime del olvido. Pluma pues, que claveros celestiales...of any particular heightening of the supposed harsh metaphors of the original. Else there might be some complaint of the rendering of such a word as peynado,...

...rescues them from oblivion. But the pen that thus immortalizes the heavenly turnkeys on the bronzes of its history is not a pen, but the key of ages....memory, which stamps shadows on masses of foam, but those of immortality." The meaning of this, as it is set forth in ten pages of commentary by one of...

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...and rescues them from ion. But the I'en that thus immortalizes the heavenly turnkeys on the bronzes of its history is not a pen, but the key of ages....failing memory, which stamps shadows on masses of ton in, but those of immortality." (8) In Bodenhain's I'n/i/leupfn/fri Wits Comonwealth, and in its...

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...rescues them from oblivion. But the pen that thus immortalises the heavenly turnkeys on the bronzes of its history is not a pen, but the key of ages....memory, which stamps shadows on masses of foam, but those of immortality." This, again, is translation of a kind — of a kind very current among fourth-form...

...rescues them from Oblivion. But the pen, that thus immortalises the heavenly turnkeys on the bronze of history, is not a pen, but the key of ages. It opens...stamps shadows on masses of foam, but the gates of immortality.1 Both Dante and Gongora proceed along the same path, in so far as they each seek to describe...