A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 13
... wrote tragedies . Byron was probably nearest to the theatre , for he was at one time associated with Drury Lane , but when later he came to write his ponderous historical dramas it was with little thought of the stage in mind , and when ...
... wrote tragedies . Byron was probably nearest to the theatre , for he was at one time associated with Drury Lane , but when later he came to write his ponderous historical dramas it was with little thought of the stage in mind , and when ...
Página 78
... wrote : ' one reserved amongst two hundred and twenty , in which I have had either an entire hand or at least a main finger ' . Apart from drama he trans- lated Sallust and wrote a vast poem in seventeen cantos , Troia Britannica . His ...
... wrote : ' one reserved amongst two hundred and twenty , in which I have had either an entire hand or at least a main finger ' . Apart from drama he trans- lated Sallust and wrote a vast poem in seventeen cantos , Troia Britannica . His ...
Página 95
... wrote with Fletcher The Spanish Curate ( about 1622 ) , which has lively and ingenious scenes . He collaborated ... wrote other tragedies , some in collaboration and some independ- ently . With Dekker he wrote The Virgin Martyr ( before ...
... wrote with Fletcher The Spanish Curate ( about 1622 ) , which has lively and ingenious scenes . He collaborated ... wrote other tragedies , some in collaboration and some independ- ently . With Dekker he wrote The Virgin Martyr ( before ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote