A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 31
... tradition . The period 1570-80 is difficult to define because the records are so scanty , but from 1580 onwards there is evidence of an increased Senecan influence . By 1581 all the ' ten tragedies ' had been trans- lated , and Thomas ...
... tradition . The period 1570-80 is difficult to define because the records are so scanty , but from 1580 onwards there is evidence of an increased Senecan influence . By 1581 all the ' ten tragedies ' had been trans- lated , and Thomas ...
Página 150
... tradition without having adequately schooled themselves in the tradition from which they think they have broken away . Against this it may be asserted that in a period when , on the whole , drama in England has not reached the eminence ...
... tradition without having adequately schooled themselves in the tradition from which they think they have broken away . Against this it may be asserted that in a period when , on the whole , drama in England has not reached the eminence ...
Página 205
... tradition than , say , the plays of Pinter . In one revealing passage he writes : 1 ' I have always said , right from the beginning , that if I have any importance at all , it is not because of my style , but because of what I am saying ...
... tradition than , say , the plays of Pinter . In one revealing passage he writes : 1 ' I have always said , right from the beginning , that if I have any importance at all , it is not because of my style , but because of what I am saying ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote