A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 42
... show Philip of Spain's grasping attempt to take England into his power . Campaspe , possibly as early as 1584 , and ... shows Lyly's ingenuity , for he uses a tragic , classical myth and so redesigns it that it becomes a charming and ...
... show Philip of Spain's grasping attempt to take England into his power . Campaspe , possibly as early as 1584 , and ... shows Lyly's ingenuity , for he uses a tragic , classical myth and so redesigns it that it becomes a charming and ...
Página 44
... shows far more skill than Greene's earlier plays and again he achieves an original effect by combining several types ... show that Elizabeth was fairer than all the goddesses . Edward I ( printed 1593 ) was his ineffective experiment in ...
... shows far more skill than Greene's earlier plays and again he achieves an original effect by combining several types ... show that Elizabeth was fairer than all the goddesses . Edward I ( printed 1593 ) was his ineffective experiment in ...
Página 113
... shows that he was aware of the criticisms that had been made against the obscenities of The Country Wife . The play owes much to Molière's Le Misanthrope , though Wycherley's individual spirit still remains , and many of the values are ...
... shows that he was aware of the criticisms that had been made against the obscenities of The Country Wife . The play owes much to Molière's Le Misanthrope , though Wycherley's individual spirit still remains , and many of the values are ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote