A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 68
... shown in the Induction in the speech of Asper , ' the presenter ' , my language Was never ground into such oily colour To flatter vice and daub iniquity . This approach to drama would certainly seem to be true 68 A Short History of ...
... shown in the Induction in the speech of Asper , ' the presenter ' , my language Was never ground into such oily colour To flatter vice and daub iniquity . This approach to drama would certainly seem to be true 68 A Short History of ...
Página 155
... shown that his comic genius could have an almost irresponsible exuberance . In the later plays the exuberance remained even when a social theme was elaborately explored . So in 1906 there was gaiety in The Doctor's Dilemma , where the ...
... shown that his comic genius could have an almost irresponsible exuberance . In the later plays the exuberance remained even when a social theme was elaborately explored . So in 1906 there was gaiety in The Doctor's Dilemma , where the ...
Página 198
... shown in 1959 in The World of Paul Slickey , which he described as a ' comedy of manners with music ' and had as its theme the newspaper world of the writer of a personal gossip column . Osborne himself has expressed a contempt for ...
... shown in 1959 in The World of Paul Slickey , which he described as a ' comedy of manners with music ' and had as its theme the newspaper world of the writer of a personal gossip column . Osborne himself has expressed a contempt for ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote