A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
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Página 27
... present to see the entertainment at a banquet , and their talk suggests that there were already present in England com- panies of players so well dressed that the gallants emulated their fashions . The two spectators prepare the ...
... present to see the entertainment at a banquet , and their talk suggests that there were already present in England com- panies of players so well dressed that the gallants emulated their fashions . The two spectators prepare the ...
Página 96
... present in the other plays . The final movement depends on the murder of Paris by Domitian , jealous because of his wife's infidelity with the actor . Outstanding in this tragedy is Paris's plea for the art of the actor and of the ...
... present in the other plays . The final movement depends on the murder of Paris by Domitian , jealous because of his wife's infidelity with the actor . Outstanding in this tragedy is Paris's plea for the art of the actor and of the ...
Página 207
... present situation with any precision . The existence of the Royal Court Theatre and the presence of new and adven- turous writers might at first sight suggest a renaissance in the theatre . This would be to assume too optimistic a view ...
... present situation with any precision . The existence of the Royal Court Theatre and the presence of new and adven- turous writers might at first sight suggest a renaissance in the theatre . This would be to assume too optimistic a view ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote