A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 30
... popular dramatist on the Senecan model ousts Trissino and replaces him in popular favour . In England something similar happens . At first , a number of writers seem anxious to keep to the rules of classical drama as far as they know ...
... popular dramatist on the Senecan model ousts Trissino and replaces him in popular favour . In England something similar happens . At first , a number of writers seem anxious to keep to the rules of classical drama as far as they know ...
Página 32
... popular elements while keeping to the Senecan pattern . The chronicle play answered one element of the demand for a popular presentation of history . That the demand was real and persistent is proved by the popularity of such a ...
... popular elements while keeping to the Senecan pattern . The chronicle play answered one element of the demand for a popular presentation of history . That the demand was real and persistent is proved by the popularity of such a ...
Página 161
... popular appeals . A type of this entertainment was Chu Chin Chow , popular with audiences in the war of 1914-18 , and surviving the war to create a record with two thousand performances on 29 December 1920. In the same year another ...
... popular appeals . A type of this entertainment was Chu Chin Chow , popular with audiences in the war of 1914-18 , and surviving the war to create a record with two thousand performances on 29 December 1920. In the same year another ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote