A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 59
... never consolidates into a theme whose every motion is intelligible , it has a fascinating brilliance , as if it belonged to a world consistent with itself but all seen in a strange light . There followed the great succession of ...
... never consolidates into a theme whose every motion is intelligible , it has a fascinating brilliance , as if it belonged to a world consistent with itself but all seen in a strange light . There followed the great succession of ...
Página 84
... never permitted to intrude . Unlike Webster , he never relents towards his tormented characters . Dramatically and poetically The Revenger's Tragedy is much more able than The Atheist's Tragedy . A number of theories have been ...
... never permitted to intrude . Unlike Webster , he never relents towards his tormented characters . Dramatically and poetically The Revenger's Tragedy is much more able than The Atheist's Tragedy . A number of theories have been ...
Página 111
Benjamin Ifor Evans. has the wit to match him , and never did Etherege devise dialogue exchanges better than between these two . Har : I did not think to have heard of Love from you . Dor : I never knew what ' twas to have a settled Ague ...
Benjamin Ifor Evans. has the wit to match him , and never did Etherege devise dialogue exchanges better than between these two . Har : I did not think to have heard of Love from you . Dor : I never knew what ' twas to have a settled Ague ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote