A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 20
... given to his func- tion and his tales modified and given a Christian emphasis . A less dignified performer was the ' Mime ' . He probably came into Britain through a Latin influence and with him were tumblers , dancers , and jokers of ...
... given to his func- tion and his tales modified and given a Christian emphasis . A less dignified performer was the ' Mime ' . He probably came into Britain through a Latin influence and with him were tumblers , dancers , and jokers of ...
Página 60
... given a subsidiary place and is worked into subtle , even poignant , contrast with the main action as in Hamlet and King Lear . Language , parti- cularly in the use of imagery , gains an enhanced power , so that each of these tragedies ...
... given a subsidiary place and is worked into subtle , even poignant , contrast with the main action as in Hamlet and King Lear . Language , parti- cularly in the use of imagery , gains an enhanced power , so that each of these tragedies ...
Página 120
... given by my loose writings , and make what reparation I am able by this public acknowledgment ' . The manners comedy did not , however , disappear completely , for in the early years of the new century it was broadened and humanized by ...
... given by my loose writings , and make what reparation I am able by this public acknowledgment ' . The manners comedy did not , however , disappear completely , for in the early years of the new century it was broadened and humanized by ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote