A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 70
... followed the lead of Plutarch in North's translation . Jonson turning to a mass of classical sources became entangled in intricate historical issues unfamiliar to Globe audiences ' . Sejanus it must be confessed belongs to the dead ...
... followed the lead of Plutarch in North's translation . Jonson turning to a mass of classical sources became entangled in intricate historical issues unfamiliar to Globe audiences ' . Sejanus it must be confessed belongs to the dead ...
Página 146
... followed by Henry Arthur Jones ( 1851-1929 ) , a playwright of good intentions and some melodramatic skill , for whom excessive claims have been made by the historians of the drama . He started life as a commercial traveller but turned ...
... followed by Henry Arthur Jones ( 1851-1929 ) , a playwright of good intentions and some melodramatic skill , for whom excessive claims have been made by the historians of the drama . He started life as a commercial traveller but turned ...
Página 186
... followed so quickly afterwards in 1930 , that he turned to the writing of plays . Some thought that he had come only accidentally into the theatre , but he soon showed that he was there to stay . Priestley was born in Bradford , and he ...
... followed so quickly afterwards in 1930 , that he turned to the writing of plays . Some thought that he had come only accidentally into the theatre , but he soon showed that he was there to stay . Priestley was born in Bradford , and he ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote