A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 25
Página 26
... dialogue , or discussion . Its purpose is to instruct ' Humanity ' in the nature of the four elements ( earth , water , air , and fire ) . ' Humanity ' receives the information from ' Nature ' whose points are further explained by ...
... dialogue , or discussion . Its purpose is to instruct ' Humanity ' in the nature of the four elements ( earth , water , air , and fire ) . ' Humanity ' receives the information from ' Nature ' whose points are further explained by ...
Página 27
... dialogue how far the secular dramatist had pro- gressed . The plot is based on a Renaissance Latin discourse by Bonaccorso entitled De Vera Nobilitate . A Roman Senator has a daughter Lucrece , who has two suitors , one of humble birth ...
... dialogue how far the secular dramatist had pro- gressed . The plot is based on a Renaissance Latin discourse by Bonaccorso entitled De Vera Nobilitate . A Roman Senator has a daughter Lucrece , who has two suitors , one of humble birth ...
Página 111
... dialogue exchanges better than between these two . Har : I did not think to have heard of Love from you . Dor : I never knew what ' twas to have a settled Ague yet , but now and then have had irregular fits . Har : Take heed , sickness ...
... dialogue exchanges better than between these two . Har : I did not think to have heard of Love from you . Dor : I never knew what ' twas to have a settled Ague yet , but now and then have had irregular fits . Har : Take heed , sickness ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote