A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 37
Página 36
... developed . It is indeed amazing to see how a company such as that of the Lord Chamberlain's Men , to which Shake- speare was attached , contrived to expand in technical and creative effectiveness under such conditions . In their early ...
... developed . It is indeed amazing to see how a company such as that of the Lord Chamberlain's Men , to which Shake- speare was attached , contrived to expand in technical and creative effectiveness under such conditions . In their early ...
Página 129
... developed , and in these some excellent performances were given . Then , as has already been discussed , in 1737 the Licensing Act cut at the very heart of drama , and all regular dramatic presentations were confined to Drury Lane and ...
... developed , and in these some excellent performances were given . Then , as has already been discussed , in 1737 the Licensing Act cut at the very heart of drama , and all regular dramatic presentations were confined to Drury Lane and ...
Página 178
... developed in scenes partly of domestic comedy but linked with a fantasy that is cunningly related to the rest of the play . Mary Rose had great popularity with audiences in England after the war of 1914–18 : it combined fantasy with a ...
... developed in scenes partly of domestic comedy but linked with a fantasy that is cunningly related to the rest of the play . Mary Rose had great popularity with audiences in England after the war of 1914–18 : it combined fantasy with a ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote