A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 40
... conception of tragedy . Partly with Seneca's aid , he broke with the whole medieval conception in which tragedy was merely the fall of a great man . With Marlowe , as later with Shakespeare , tragedy is distress resulting from some over ...
... conception of tragedy . Partly with Seneca's aid , he broke with the whole medieval conception in which tragedy was merely the fall of a great man . With Marlowe , as later with Shakespeare , tragedy is distress resulting from some over ...
Página 55
... conception . He has so developed the character of the Bastard , Faulconbridge , that he is a new creation , linking the perplexingly diverse movements of the plot , and at the same time , by his rough independence of mind , acting as a ...
... conception . He has so developed the character of the Bastard , Faulconbridge , that he is a new creation , linking the perplexingly diverse movements of the plot , and at the same time , by his rough independence of mind , acting as a ...
Página 154
... conception of Napoleon , and so in The Man of Destiny ( 1897 ) Shaw presented a satiric portrait of the young Bonaparte which mocks at the grandeurs and idealizations . In The Devil's Disciple ( first performed , New York , 1897 ) he ...
... conception of Napoleon , and so in The Man of Destiny ( 1897 ) Shaw presented a satiric portrait of the young Bonaparte which mocks at the grandeurs and idealizations . In The Devil's Disciple ( first performed , New York , 1897 ) he ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote