A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 21
Página 30
... classical drama as far as they know them , and then there emerge the popular Senecan writers who cap- ture the stage . The influence in England appears mainly after 1560 . Before that date classical names appear in a few of the ...
... classical drama as far as they know them , and then there emerge the popular Senecan writers who cap- ture the stage . The influence in England appears mainly after 1560 . Before that date classical names appear in a few of the ...
Página 42
... classical mythology , partly invented ; but there is variety in design . They are all modelled for a courtly audience . They are all in prose , except The Woman in the Moon , and all of them make use of classical myth except Mother ...
... classical mythology , partly invented ; but there is variety in design . They are all modelled for a courtly audience . They are all in prose , except The Woman in the Moon , and all of them make use of classical myth except Mother ...
Página 169
... classical tradition . This is memorable when it is recalled that the major tradition with new authors from the ' forties onwards has been in plays of a contemporary setting , and often with an emphasis on the sordid . Space permits the ...
... classical tradition . This is memorable when it is recalled that the major tradition with new authors from the ' forties onwards has been in plays of a contemporary setting , and often with an emphasis on the sordid . Space permits the ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote