Lives of the English Poets, Volumen1Oxford University Press, 1926 |
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Página xiv
Samuel Johnson. We soon Not only does he fail to figure among the poets separ- ately discussed he is not even once alluded to by way of critical comparison . Where are Spenser ? Herrick ? Lovelace ? Campion ? Crashaw ? find that poetry ...
Samuel Johnson. We soon Not only does he fail to figure among the poets separ- ately discussed he is not even once alluded to by way of critical comparison . Where are Spenser ? Herrick ? Lovelace ? Campion ? Crashaw ? find that poetry ...
Página 14
... poets ; for they cannot be said to have imi- Subjtated any thing ; they neither copied nature nor life ; завточ neither painted the forms of matter , nor represented the operations of intellect . Those , however , who deny them to be poets ...
... poets ; for they cannot be said to have imi- Subjtated any thing ; they neither copied nature nor life ; завточ neither painted the forms of matter , nor represented the operations of intellect . Those , however , who deny them to be poets ...
Página 344
... poetry . The Alexandrine , though much his favourite , is not always very diligently fabricated by him . It invariably requires a break at the sixth syllable ; a rule which the modern French poets never violate , but which Dryden ...
... poetry . The Alexandrine , though much his favourite , is not always very diligently fabricated by him . It invariably requires a break at the sixth syllable ; a rule which the modern French poets never violate , but which Dryden ...
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Absalom and Achitophel Addison admiration afterwards ancient appears beauties better blank verse Cato censure character Charles Dryden compositions considered Cowley criticism death delight diction diligence dramatick Dryden duke Earl elegance English excellence fancy favour friends genius heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden judgement Juvenal kind King knowledge known labour Lady language Latin learning lines lived lord Lord Conway Lord Roscommon Milton mind nature never NIHIL numbers observed opinion Paradise Lost passions perhaps Philips Pindar play pleasure poem poet poetical poetry Pope pounds praise preface produced publick published reader reason relates remarks reputation rhyme satire says seems Sempronius sentiments shew shewn sometimes Sprat supposed Syphax Tatler thing thou thought tion told tragedy translation truth Tyrannick Love verses versification Virgil virtue Waller Whig words write written wrote