...Characters of the Perfons, and proceeds very little to any Part* of the Action. Secondly* The Epitajis, or working up of the Plot, where the Play grows warmer ; the Defign or Action of it is drawing on, and you fee fomething promifing that it will come to pafs. Thirdly,...

...Characlei s of the Pcrfons, and proceeds very little to any Part of the Acflion. Secondly, The Epitajis, or Working up of the Plot, where the Play grows warmer ; the Defign or Adion of it is drawing on, and you fee fomething promifing that will come to pafs. Thirdly,...

...Characters of the Pfrfons, and proceeds very little t« any Part, of the A<3ion. Secondly, The Efita/ii, or Working up of the Plot, where the Play grows warmer ; the Defign or Action of it is drawing on, and you fee fomething promifinw that will come to pafs. Thirdly,...

...than five times. Aristotle indeed divides the integral parts of a play into four. First, the Protasis, or entrance, which gives light only to the characters...promising that it will come to pass. Thirdly, the Catastasis, called by the Romans, Status, the height and full growth of the play : we may call it properly...

...than five times. Aristotle indeed divides the integral parts of a play into four. First, the Protasis, or entrance, which gives light only to the characters...Epitasis, or working up of the plot ; where the play grows wanner, the design or action of it is drawing on, and you see something promising that it will come...

...than five times. Aristotle indeed divides the integral parts of a play into four. First, the Protasis, or entrance, which gives light only to the characters...little into any part of the action. Secondly, the Efitasis, or working up of the plot; where the play grows warmer, the design or action of it is drawing...

...than five times. Aristotle indeed divides the integral parts of a play into four. First, the Protasis, or entrance, which gives light only to the characters...the Epitasis, or working up of the plot ; where the playgrows warmer, the design or action of it is drawing on, and you see something promising that it...

...or entrance, which gives a light only to the characters of the persons, and proceeds very littje to any part of the action. Secondly, the Epitasis, or...the design or action of it is drawing on, and you «ee something promising that wilt come to pass. Thirdly, the Catastasis, or, in a Roman word, the...

...than five times. Aristotle indeed divides the integral parts of a play into four. First, the Protasis, or entrance, which gives light only to the characters...promising that it will come to pass. Thirdly, the Catastasis, called by the Romans, Statiis, the height and full growth of the play : we may call it...

...characters of the persons, and proceeds very little to any part of the action. Secondly, the Efiitasis, or working up of the plot, where the play grows warmer;...is drawing on, and you see something promising that will come to pass. Thirdly, the Catastatis, or, in a Roman word, the Status, the height and full growth...