Select British Classics, Volumen22J. Conrad, 1803 |
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Página 1
... insensibility from courage . Every passion becomes weak in proportion as it is familiar with its object . Evil must be considered as the object of fear ; but the passion is excited only when we are in danger . As the same evil may ...
... insensibility from courage . Every passion becomes weak in proportion as it is familiar with its object . Evil must be considered as the object of fear ; but the passion is excited only when we are in danger . As the same evil may ...
Página 2
... insensibility and courage produce the same effect ; and when we see another unconcerned and cheerful in a situation which would make us tremble , it is not strange that we should im- pute his tranquillity to the strength of his mind ...
... insensibility and courage produce the same effect ; and when we see another unconcerned and cheerful in a situation which would make us tremble , it is not strange that we should im- pute his tranquillity to the strength of his mind ...
Página 3
... insensibility of real danger we should not be less watchful than against unreasonable fear . Fear , when it is justly proportioned to its object , and not too strong to be governed by reason , is not only blameless but honourable ; it ...
... insensibility of real danger we should not be less watchful than against unreasonable fear . Fear , when it is justly proportioned to its object , and not too strong to be governed by reason , is not only blameless but honourable ; it ...
Contenido
In what arts the ancients excelled the moderns 134 | 7 |
a vision | 17 |
The story of Desdemona concluded | 28 |
Otras 15 secciones no mostradas
Términos y frases comunes
acquainted ADVENTURER affection Almet appearance ardour bagnio battle of Fontenoy beauty burlesque Caprinus cause censure character Clodio conceal considered Cordelia countenance danger daugh daughters DECEMBER 29 delight desire diamonds sparkle disappointed discovered distress dreadful DRYDEN enquire entreated equal Euripides Euryalus evil eyes father fear felicity Flavilla fortune frequently gentleman Gonerill gratify guilt hand happiness hast heart Hilario honour hope hour imagination impatient insensibility kind knew labour lady Lear less look mankind ment Mercator Mercator's mind misery morning nature never night NOVEMBER 27 obtain OVID passion Peleus perceived person pity pleasure Posidippus possession present primus ab produced reason received reflected Regan riety scarce scene sensibility servant shew sometimes soon Sophocles suffered superaddition tears Telephus tenderness thee things thou thought tion told truth TUESDAY utmost VIRG virtue wife wish wretch writer