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did not demand a degree of attention unsuitable to the nature and objects of poetry. This remark however applies chiefly, though not exclusively to the Religious Musings. The remainder of the charge I admitted to its full extent, and not without sincere acknowledgments to both my private and public censors for their friendly admonitions. In the after editions, I pruned the double epithets with no sparing hand, and used my best efforts to tame the swell and glitter both of thought and diction ; though in truth, these parasite plants of youthful poetry had insinuated themselves into my longer poems with such intricacy of union, that I was often obliged to omit disentangling the weed, from the fear of snapping the flower. From that period to the date of the present work I have published nothing, with my name, which could by any possibility have come before the board of anonymous criticism. Even the three or four poems, printed with the works of a friend, as far as they were censured at all, were charged with the same or similar defects, though I ain persuaded not with equal justice: with an EXCESS OF ORNAMENT, in addition to STRAINED AND ELABORATE DICTION. (Vide the criticisms on the “ Ancient Mariner,” in the Monthly and Critical Reviews of the first volume of the Lyrical Ballads.) May I be permitted to add, that, even at the early period of my jutenile poems, I saw and admitted the superiority of an austerer, and more natural style, with an insight not less elear, than I at present possess. My judgment was stronger, than were my powers of realizing its dictates; and the faults of my language, though indeed partly owing to a wrong choice of subjects, and the desire of giving a poetic colouring to abstract and metaphysical truths, in which a new world then seemed to open upon me, did yet, in part likewise, originate in unfeigned diffidence of my own comparative talent.—During several years of my youth and early manhood, I reverenced those, who had re-introduced the manly simplicity of the Grecian, and of our own elder poets, with such enthusiasm, as made the hope seem presumptuous of writing successfully in the same style. Perhaps a similar process has happened to others; but my earliest poems were marked by an ease and simplicity, which I have studied, perhaps with inferior success, to impress on my later compositions.
At school I enjoyed the inestimable advantage of a very sensible, though at the same time, a very severe master. He* early moulded my taste to the preference of Demosthenes to Cicero, of Homer and Theocritus to Virgil,
* The Rev. James Bowyer, many years Head Master of the Grammar-School, Christ Hospital.
and again of Virgil to Ovid. He habituated me to compare Lucretius, (in such extracts as I then read) Terence, and above all the chaster poems of Catullus, not only with the Roman poets of the, so called, silver and brazen ages; but with even those of the Augustan era: and on grounds of plain sense and universal logic to see and assert the superiority of the former, in the truth and nativeness, both of their thoughts and diction. At the same time that we were studying the Greek Tragic Poets, he made us read Shakspeare and Milton as lessons : and they were the lessons too, which required most time and trouble to bring up, so as to escape his censure. I learnt from him, that Poetry, even that of the loftiest, and, seemingly, that of the wildest odes, had a logic of its own, as severe as that of science; and more difficult, because more subtle, more complex, and dependent on more, and more fugitive causes. In the truly great poets, he would say, there is a reason assignable, not only for every word, but for the position of every word ; and I well remember, that availing himself of the synonimes to the Homer of Didymus, he made us attempt to show, with regard to each, why it would not have answered the same purpose; and wherein consisted the peculiar fitness of the word in the original text.
In our own English compositions (at least før the last three years of our school education) he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been conveyed with equal force and dignity in plainer words. Lute, harp, and lyre, muse, muses, and inspirations, Pegasus, Parnassus, and Hipocrene, were all an abomination to him. In fancy I can almost hear him now, exclaiming" Harp? Harp? Lyre? Pen and ink, boy, you mean! Muse, boy, Muse ? your Nurse's daughter, you mean! Pierian spring? Oh ’aye! the cloister-pump, I suppose !” Nay certain introductions, similies, and examples, were placed by name on a list of interdiction, Among the similies, there was, I remember, that of the Manchineel fruit, as suiting equally well with too many subjects ; in which however it yielded the palm at once to the example of Alexander and Clytus, which was equally good and apt, whatever might be the theme. Was it ambition ? Alexander and Clytus ! Flattery? Alexander and Clytus ! - Anger ? Drunkenness? Pride? Friendship? Ingratitude? Late repentance? Still, still Alexander and Clytus! At length, the praises of agriculture having been exemplified in the sagacious observation, that had Alexander been holding the plough, he would not have run his friend Clytus through with a spear, this tried, and serviceable old friend was banished by public edict in secula seculorum. I have sometimes ventured to think, that a list of this kind, or an index expurgatorius of certain well known and ever returning phrases, both introductory, and transitional, including the large assortment of modest egotisms, and flattering illeisms, &c. &c. might be hung up in our law-courts, and both houses of parliament, with great advantage to the public, as an important saving of national time, an incalculable relief to his Majesty's ministers, but above all, as insuring the thanks of country attornies, and their clients, who have private bills to carry through the house.
Be this as it may, there was one custom of our master's, which I cannot pass over in silence, because I think it imitable and worthy of imitation. He would often permit our theme exercises, under some pretext of want of time, to accumulate, till each lad had four or five to be looked over. Then placing the whole number abreast on his desk, he would ask the writer, why this or that sentence might not have found as appropriate a place under this or that other thesis : and if no satisfying answer could be returned, and two faults of the same kind were found in one exercise, the irrevocable verdict followed, the exercise was torn up, and another on the same subject to be produced, in addition to the tasks of the day. The reader will, I trust, excuse this tribute of recollection