Thy very beadfmen learn to bend their bows K. Rich. Too well, too well, thou tell'ft a tale fo ill. That Thy very beadfmen learn to bend their bows] Such is the reading of all the copies, yet I doubt whether beadfmen be right, for the bow feems to be mentioned here as the proper weapon of a beadfman. The king's beadfmen were his chaplains. Trevifa calls himself the beadfman of his patron. Beadfman might likewife be any man maintained by charity to pray for his benefactor. JOHNSON. The reading of the text is right enough: As "boys strive to speak big, and clafp their effeminate joints in ftiff unwieldy arms, &c." so his "very beadfmen learn to bend their bows" against him. Their does not abfolutely denote that the bow was their ufual or proper weapon; but only taken up and appropriated by them on this occafion. PERCY. 2 Of double-fatal yew-] Called fo, because the leaves of the yew are poifon, and the wood is employed for inftruments of death. WARB. From fome of the ancient ftatutes it appears that every Englishman, while archery was practifed, was obliged to keep in his houfe either a bow of yew or fome other wood. It should seem therefore that yes were not only planted in church-yards to defend the churches from the wind, but on account of their ufe in making bows; while by the benefit of being fecured in enclosed places, their poisonous quality was kept from doing mifchief to cattle. STEEVENS. 3 Where is the earl of Wiltshire? where is Bagot? What is become of Bushy? where is Green?] Here are four of them named; and, within a very few lines, the king, hearing they had made their peace with Bolingbroke, calls them three Judaffes. But how was their peace made? Why, with the lofs of their heads. This being explained, Aumerle fays: Is Bufhy, Green, and the earl of Wilt-fbire dead? So that Bagot ought to be left out of the queftion: and, indeed, he had made the best of his way for Chefter, and from thence had efcaped into Ireland. The poet could not be guilty of fo much forgetfulness and abfurdity. It seems probable to me that he wrote Where is the Earl of Wiltshire? Where is be got? THEOBALD. This emendation Dr. Warburton adopts. Hanmer leaves a blank after Wiltshire. I believe the author, rather than tranfcriber, made a mistake. Where is be got does not found in my ear like an expreffion of Shakspeare. JOHNSON. Perhaps Shakspeare intended to mark more ftrongly the pertur That they have let the dangerous enemy I warrant they have made peace with Bolingbroke. Snakes, in my heart-blood warm'd, that fting my heart! Scroop. Sweet love, I fee, changing his property, Again uncurfe their fouls; their peace is made With heads, and not with hands: those whom you curse, Aum. Is Bufhy, Green, and the earl of Wiltshire, dead? bation of the king by making him inquire at firft for Bagot, whofe loy. alty, on further recollection, might thew him the impropriety of his queftion. MALONE. 4 And that mall model of the barren earth,] He ufes model for mould. That earth, which clofing upon the body, takes its form. This interpretation the next line feems to authorize. JOHNSON. Shakspeare generally ufes model, not for an exemplar, but for a thing made after a pattern. So, in a former fcene of this play: thou fee'ft thy wretched brother die, "Who was the model of thy father's life." See Vol. III. p. 443, n. 6. Model, however, may be used for mould. See Minfhieu's DICT. in v. MALONE. Which Which ferves as paste and cover to our bones 5. To monarchize, be fear'd, and kill with looks; Bores through his caftle wall, and-farewel king! How can you fay to me-I am a king? Car. My lord, wife men ne'er wail their present woes, But prefently prevent the ways to wail. To fear the foe, fince fear oppreffeth ftrength, Gives, in your weaknefs, ftrength unto your foe, Fear, and be flain; no worfe can come, to fight: 5 Which ferves as pafte &c] A metaphor, not of the most sublime kind, taken from a pie. JOHNSON. 61 there the antick fits,] Here is an allufion to the antick or fool of old farces, whofe chief part is to deride and disturb the graver and more fplendid perfonages. JOHNSON. 1 Tradition,-] This word feems here used for traditional prafices & that is, eftablished or customary bomage. JOHNSON. 8 -death deftroying death:] That is, to die fighting, is to return the evil that we fufter, to deftroy the deftroyers. I once read-death defying death; but deftroying is as well. JOHNSON. Where Where fearing dying, pays death fervile breath. K. Rich. Thou chid'ft me well:-Proud Bolingbroke, To change blows with thee for our day of doom. An eafy task it is, to win our own. Say, Scroop, where lies our uncle with his power? So may you by my dull and heavy eye, My tongue hath but a heavier tale to say. To lengthen out the worst that must be fpoken:- And all your fouthern gentlemen in arms K. Rich. Thou haft faid enough. Befhrew thee, coufin, which did lead me forth What fay you now? What comfort have we now? 9 I'll bate bim everlastingly, That bids me be of comfort-] This fentiment is drawn from nature. Nothing is more offenfive to a mind convinced that its distress is without a remedy, and preparing to fubmit quietly to irrefiftible calamity, than these petty and conjectured comforts which unfkilful officioufnels thinks it virtue to adminifter. JOHNSON. To ear the land] i. e. to plough it. STEEVENS. K. Rich. K. Rich. He does me double wrong, That wounds me with the flatteries of his tongue. From Richard's night, to Bolingbroke's fair day. [Exeunt. SCENE III. Wales. Before Flint Castle. Enter with drum and colours, BOLINGBROKE, and forces; Boling. So that by this intelligence we learn, York. The time hath been, you Would you have been fo brief with him, he would Enter PERCY. Welcome, Harry; what, will not this caftle yield? Against thy entrance. 2 For taking fo the bead,-] To take the bead is, to act without reftraint; to take undue liberties. We now fay, we give the horfe bis bead, when we relax the reins. JOHNSON. Boling. |