Sublimity of conception, grandeur of form,' and breadth of manner, are the elements of Michelangelo's style : by these principles he selected or rejected the objects of imitation. As painter, as sculptor, as architect, he attempted, and above any other... The Port Folio - Página 1401812Vista completa - Acerca de este libro
| William Seward - 1795 - 704 páginas
...unite magnificence of plan and endlefii ** variety of fubordinate parts with the utmoft " fimplicity and breadth. His line is uniformly " grand. Character...were admitted ** only as far as they could be made fubfervient t9 " grandeur. The child, the female, meannels, ** deformity, were by him indifcriminatelj... | |
| William Seward - 1796 - 560 páginas
...unite magnificence of plan and endlefs " variety of fubordinnte parts with the utmofl: " fimplicity and breadth. His line is uniformly " grand. Character...were admitted " only as far as they could be made fubfervient to " grandeur. The child, the female, meannefs, " deformity, were by him indifcriminately... | |
| Tobias Smollett - 1796 - 612 páginas
...to unite magnificence of plan and endlefs variety of fubordinate parts with the utmoft (implicit)1 and breadth. His line is uniformly grand. Character and beauty were admitted only as kr as they could be made fuhfervient to grandeur. The child, the fem:rle, meannefs, deformity, were... | |
| 1796 - 616 páginas
...to unite magnificence of plan and endlefs variety of íhbordinate parts with the utmoft fimplicity and breadth. His line is uniformly grand. Character and beauty were admitted only as for as they could be made fubfervient to grandeur. The child, the female, meannefs, deformity, were... | |
| William Seward - 1798 - 464 páginas
...unite magnificence of plan and endlefs variety " of fubordinate parts with the utmoft fimplicity " and breadth. His line is uniformly grand. " Character...were admitted only as " far as they could be made fubfervient to cc grandeur. The child, the female, meannefs, " deformity, were by him indifcriminately... | |
| 1857 - 628 páginas
...rejected the objects of imitation. As painter, as sculptor, as architect, he attempted, and above any other man succeeded, to unite magnificence of plan...meanness, deformity, were by him indiscriminately stamped by grandeur. A beggar rose from his hand the patriarch of poverty ; the hump of his dwarf is impressed... | |
| 1805 - 752 páginas
...to unite magnificence of plan, and endlefa variety of fubordinatc parts, with the utmoft firaplicity and breadth. His line is uniformly grand. Character...beauty were admitted only as far as they could be made fubfeivient to grandeur. The child, the female, mtannefs, deformity, were by him indifcriminatcly ftampc-d... | |
| 1811 - 600 páginas
...delineate the character of this great artist, when we can borrow the language of Mr. Fuseli. • cence of plan, and endless variety of subordinate parts,...child, the female, meanness, deformity, were by him ' Sublimity of conception, grandeur of form, and breadth of manner, are ' the elements of Michael Angelo's... | |
| Alexander Chalmers - 1813 - 518 páginas
...rejected the objects of imitation. As painter, as sculptor, as architect, he attempted, and above any other man succeeded, to unite magnificence of plan,...grandeur. A beggar rose from his hand the patriarch of poverty; the hump of his dwarf is impressed with dignity ; his women are moulds of generation ; his... | |
| Alexander Chalmers - 1813 - 508 páginas
...rejected the objects of imitation. As painter, as sculptor, as architect, he attempted, and above any other man succeeded,, to unite magnificence of plan,...subordinate parts, with the utmost simplicity and breadth. Hig line is uniformly grand. Character and beauty were admitted only as far as they could be made subservient... | |
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