Biographia Literaria; Or, Biographical Sketches of My Literary Life and Opinions, Volúmenes1-2W. Gowans, 1852 - 804 páginas |
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Página 1
... object , his attention was drawn to an article in Black- wood's Magazine of March , 1840 , in which " the very large and unacknowledged appropriations it contains from the great Ger- man Philosopher Schelling " are pointed out ; and by ...
... object , his attention was drawn to an article in Black- wood's Magazine of March , 1840 , in which " the very large and unacknowledged appropriations it contains from the great Ger- man Philosopher Schelling " are pointed out ; and by ...
Página 12
... object , cannot live . He had no hope of gainful popularity , even from the most laborious efforts that he was capable of making ; nor would this in itself have been an adequate object of hope to him , without a further one , more ...
... object , cannot live . He had no hope of gainful popularity , even from the most laborious efforts that he was capable of making ; nor would this in itself have been an adequate object of hope to him , without a further one , more ...
Página 32
... object of his affections oftener changed than consisted with , or could have arisen in , a happy even tenor of life , was , in his case , no symptom of that variableness which results from the union of a lively fancy with a shallow ...
... object of his affections oftener changed than consisted with , or could have arisen in , a happy even tenor of life , was , in his case , no symptom of that variableness which results from the union of a lively fancy with a shallow ...
Página 65
... object of sense than its sensible qualities . It is true that he identifies the qualities with the substance : but yet he has the idea of substance too . The notion that a thing is only a congeries of accidents , is the notion of the ...
... object of sense than its sensible qualities . It is true that he identifies the qualities with the substance : but yet he has the idea of substance too . The notion that a thing is only a congeries of accidents , is the notion of the ...
Página 82
... object , and you leave a caput mortuum of mere human feeling . Love of God is excellent ; love of man for God's sake , is excellent ; but the mere adhesion of the soul to a certain object has no excellence in it . So humility , as a low ...
... object , and you leave a caput mortuum of mere human feeling . Love of God is excellent ; love of man for God's sake , is excellent ; but the mere adhesion of the soul to a certain object has no excellence in it . So humility , as a low ...
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Términos y frases comunes
admiration Antinomianism appear Archdeacon Hare Aristotle beautiful believe Biographia Literaria called cause character Charles Lamb Christ Christian Church Coleridge's common connexion criticism divine doctrine edition effect Essay expression eyes faith fancy Father feelings Fichte former genius German ground heart honor human ideas imagination intellectual Irenæus Kant language least Leibnitz less letter lines literary Luther Lyrical Ballads Maasz Malebranche means metaphysical metre Milton mind moral Morning Post nature never notion object opinion original outward passage perhaps persons philosophy Pindar Plato Plotinus poem poet poetic poetry present principles produced prose published racter Ratzeburg reader reason religion religious remarks S. T. COLERIDGE Schelling Schelling's seems sense Shakspeare Solifidian sonnets soul speak spirit stanzas style suppose Synesius things thou thought tion translation true truth verse whole words Wordsworth writings καὶ τὸ
Pasajes populares
Página 179 - For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan : Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
Página 214 - For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all. I cannot paint What then I was. The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
Página 568 - Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realised, High instincts before which our mortal Nature Did tremble like a guilty Thing surprised...
Página 568 - But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain light of all our day, Are yet a master light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence: truths that wake, To perish never; Which neither listlessness, nor mad endeavour, Nor Man nor Boy, Nor all that is at enmity with joy, Can utterly abolish or destroy!
Página 567 - Delight and liberty, the simple creed Of Childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast: Not for these I raise The song of thanks and praise...
Página 561 - She shall be sportive as the fawn That wild with glee across the lawn Or up the mountain springs ; And hers shall be the breathing balm, And hers the silence and the calm Of mute, insensate things.
Página 364 - The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
Página 429 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation...
Página 437 - What is poetry? — is so nearly the same question with, what is a poet? — that the answer to the one is involved in the solution of the other.
Página 437 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.