 | Peter Brook - 1987 - 280 páginas
[ Lo sentimos, el contenido de esta página está restringido. ] | |
 | Herbert R. Coursen - 1993 - 212 páginas
...role: bringing into contact "a strong presence of actors and a strong presence of spectators [so as to] produce a circle of unique intensity in which barriers can be broken and the invisible become real" (Brook, p. 41). Even on television, this production builds to an almost unbearable tension,... | |
 | James Roose-Evans - 1989 - 264 páginas
...strong presence of actors and a strong presence of spectators,' as Brook writes in The Shifting Point,' can produce a circle of unique intensity in which...can be broken and the invisible becomes real.' Then public truth and private truth become inseparable parts of the same experience. Each of the major figures... | |
 | Thomas R. Whitaker - 1999 - 328 páginas
[ Lo sentimos, el contenido de esta página está restringido. ] | |
 | Sally Mackey, Simon Cooper - 2000 - 436 páginas
...contrast he A shared theatre suggested that his theatre was one that was shared: A theatre of celebration A strong presence of actors and a strong presence...in which barriers can be broken and the invisible become real. [Brook, 1989. p. 41] In other words his was a theatre of community, one that reached across... | |
| |
A strong presence of actors and a strong presence of spectators can produce a circle of unique intensity in which barriers can be broken and the invisible become real. 