Shakespeare, Contemporary Critical ApproachesHarry Raphael Garvin, Michael Payne Bucknell University Press, 1980 - 187 páginas The study and criticism of Shakespeare has always been of major interest in the literary world but never more than in the last ten years. The essays in this volume explore Shakespeare's art that is complementary to the experience of his plays. The feelings of the essays create a sensitive atmosphere for creative study. |
Dentro del libro
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... Present project : a book on Shakespeare and Renaissance art . CLIFFORD DAVIDSON : Teaches at Western Michigan University . Executive Editor of Early Drama , Art and Music ; an editor of Comparative Drama . Publications : articles on ...
... Present project : a book on Shakespeare and Renaissance art . CLIFFORD DAVIDSON : Teaches at Western Michigan University . Executive Editor of Early Drama , Art and Music ; an editor of Comparative Drama . Publications : articles on ...
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... Present project : a book on Shakespearean orchestration . JAMES P. DRISCOLL : Publications include articles on The Duchess of Malfi in Drama Survey and on King Lear in Shakespeare Studies . Major interest : the application of Jungian ...
... Present project : a book on Shakespearean orchestration . JAMES P. DRISCOLL : Publications include articles on The Duchess of Malfi in Drama Survey and on King Lear in Shakespeare Studies . Major interest : the application of Jungian ...
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... present in England prior to the seventeenth century . Henry then im- ported northern European artists , the most distinguished of whom was Hans Holbein ( in England 1526-28 and 1532-42 ) . But the main body of artists who stayed in ...
... present in England prior to the seventeenth century . Henry then im- ported northern European artists , the most distinguished of whom was Hans Holbein ( in England 1526-28 and 1532-42 ) . But the main body of artists who stayed in ...
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Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Página 32
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
13 | |
Circe Venus and the Whore of Babylon | 31 |
Italian Cinquecento Art and Shakespeares Last Plays | 54 |
Shakespeare and Marxism | 85 |
Feudal and Bourgeois Concepts of Value in The Merchant of Venice | 87 |
King Lear and the Social Dimensions of Shakespearean Tragic Form 16031608 | 100 |
Interpretations of The Tempest | 113 |
Cracking the Code of The Tempest | 115 |
Contrary Comparisons in The Tempest | 126 |
Shakespeares Creation of a Fit Audience for The Tempest | 136 |
The Perspective of The Tempest | 148 |
Telling the Magician from the Magic in The Tempest | 164 |
Términos y frases comunes
aesthetic Alonso Antony and Cleopatra Antony's Aretino's Ariel aristocratic artist audience becomes Belmont bourgeois concept Caliban capitalism casket characters Circe concept of value contrary contrast created critics Cymbeline death divine dramatic emotion England English etchings evil example experience Ferdinand feudal figure Giulio Romano Gonzalo Hermione Hilliard human Ibid idea ideal imagination imitation Italian King Lear last plays Leontes live Lomazzo London Lucrece Lucrece's Macbeth magic magician Mannerist Mark Antony masque medieval Merchant of Venice metastance Mignon's mind Miranda moral nature Nicholas Hilliard Othello Oxford painter painting passion Pericles perspective picture play's pleasure plot Portia present Prince Prospero reality Renaissance role scene seems sense Shakespeare Shakespeare's play Shylock social identity society sonnets spectator spirit stance story suggests symbolic Tempest theater Timon of Athens tion traditional tragedy tragic trans transcendence transformation Troy truth University Press Vasari Venus vision visual art Winter's Tale York