Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 80
Página 135
... scene , calling the Closet scene the climax of Hamlet . Yet the Mousetrap fits precisely the conditions he sets for Hamlet's ministerial function : " If Hamlet hopes to right the wrong done him and his father , he must contrive a public ...
... scene , calling the Closet scene the climax of Hamlet . Yet the Mousetrap fits precisely the conditions he sets for Hamlet's ministerial function : " If Hamlet hopes to right the wrong done him and his father , he must contrive a public ...
Página 151
... scene is another great central celebration , but controlled by Claudius , not Hamlet . The Play scene became Claudius's way of turning the tables on Ham- let . Guildenstern , Polonius , and Gertrude interpret Hamlet's behavior as an ...
... scene is another great central celebration , but controlled by Claudius , not Hamlet . The Play scene became Claudius's way of turning the tables on Ham- let . Guildenstern , Polonius , and Gertrude interpret Hamlet's behavior as an ...
Página 152
... scene and the Duel scene . They are court functions , a vital consideration in performance , since they would be similarly modeled , with almost all of the characters on stage and all of the pomp attendant on the King's entrance : They ...
... scene and the Duel scene . They are court functions , a vital consideration in performance , since they would be similarly modeled , with almost all of the characters on stage and all of the pomp attendant on the King's entrance : They ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |