Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 40
Página 160
... recognize . It is not my wish to place it within that debatable genre known perhaps oxymoronically as " Christian Tragedy , " but to suggest that if it is a Christian play , its full " Christian " value does not , finally , reside in ...
... recognize . It is not my wish to place it within that debatable genre known perhaps oxymoronically as " Christian Tragedy , " but to suggest that if it is a Christian play , its full " Christian " value does not , finally , reside in ...
Página 163
... recognize the nature of his connection with the supernature . Macbeth does , but defies it . Hamlet misinterprets it ... recognized in time the merits of Des- demona or Cordelia . In Hamlet and in Richard II , a king is guilty of an ...
... recognize the nature of his connection with the supernature . Macbeth does , but defies it . Hamlet misinterprets it ... recognized in time the merits of Des- demona or Cordelia . In Hamlet and in Richard II , a king is guilty of an ...
Página 332
... recognize that this moment combines two Lady Macbeths . The feint suggests the scheming plotter of the early scenes ; the faint predicts the sin - haunted woman of Act Five . If we do not in- sist on one interpretation or another , the ...
... recognize that this moment combines two Lady Macbeths . The feint suggests the scheming plotter of the early scenes ; the faint predicts the sin - haunted woman of Act Five . If we do not in- sist on one interpretation or another , the ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |