Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 84
Página 107
... play ] as if explicitly created for it ... a man conscious of his sin and longing to be rid of it — a fit subject for the redemp- tive power of art " -and , indeed , a fit subject for the sacra- mental imperative underlying Hamlet's play ...
... play ] as if explicitly created for it ... a man conscious of his sin and longing to be rid of it — a fit subject for the redemp- tive power of art " -and , indeed , a fit subject for the sacra- mental imperative underlying Hamlet's play ...
Página 122
... play suggest both what it might have been and what it becomes . After it breaks up , Hamlet excitedly compares Claudius and himself to ani- mals : " let the strucken deer go weep , / The hart ungalled play " ( III.ii.282-83 ) . He has ...
... play suggest both what it might have been and what it becomes . After it breaks up , Hamlet excitedly compares Claudius and himself to ani- mals : " let the strucken deer go weep , / The hart ungalled play " ( III.ii.282-83 ) . He has ...
Página 135
... play - within- the - play as climax , call it " successful , " a valid indictment of Claudius . Such a view accepts without examination Hamlet's interpretation of his production . The world of the play , how- ever , views the production ...
... play - within- the - play as climax , call it " successful , " a valid indictment of Claudius . Such a view accepts without examination Hamlet's interpretation of his production . The world of the play , how- ever , views the production ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |