Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 38
Página 240
... opening scene , the first three acts being a kind of denouement for initial error . We infer that the well - ordered political entity is like a well- governed family , with a controlling father in charge . We do not enter the explicitly ...
... opening scene , the first three acts being a kind of denouement for initial error . We infer that the well - ordered political entity is like a well- governed family , with a controlling father in charge . We do not enter the explicitly ...
Página 258
... opening scene , body politic being used to color the needs of body natural . Cordelia's sudden " Nothing , my lord " ( I.i.89 ) , jars Lear loose from his façade . Suddenly he is not king but father , and an unnatural father at that ...
... opening scene , body politic being used to color the needs of body natural . Cordelia's sudden " Nothing , my lord " ( I.i.89 ) , jars Lear loose from his façade . Suddenly he is not king but father , and an unnatural father at that ...
Página 377
... opening rubrics prohibiting " open and notorious evil liver [ s ] " and those guilty of " malice and hatred " from the table , but by Prospero himself : " some of you there present / Are worse than devils " ( III.iii.35-36 ) . Alonso is ...
... opening rubrics prohibiting " open and notorious evil liver [ s ] " and those guilty of " malice and hatred " from the table , but by Prospero himself : " some of you there present / Are worse than devils " ( III.iii.35-36 ) . Alonso is ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |