Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 65
Página 42
... Once Bolingbroke is gone , he can laugh at the duke's courtship of the populace . Once Gaunt is dead , he can seize the estate with a snap of his fingers . One of the deepest ironies emerging from the open- ing scene is that Richard ...
... Once Bolingbroke is gone , he can laugh at the duke's courtship of the populace . Once Gaunt is dead , he can seize the estate with a snap of his fingers . One of the deepest ironies emerging from the open- ing scene is that Richard ...
Página 141
... once he has finally assigned roles both to actors within “ Gon- zago " and to their alter - egos observing the play - within , he cannot retain his own self - assigned role as spectator of Claudius . Whether he listened to his own ...
... once he has finally assigned roles both to actors within “ Gon- zago " and to their alter - egos observing the play - within , he cannot retain his own self - assigned role as spectator of Claudius . Whether he listened to his own ...
Página 419
... once Hamlet destroys his play ; once Othello yields to a superhuman conception of self - hood ; once Lear disinherits himself from the context that would make his insights operative in his kingdom ; once Mac- beth cancels his virtue ...
... once Hamlet destroys his play ; once Othello yields to a superhuman conception of self - hood ; once Lear disinherits himself from the context that would make his insights operative in his kingdom ; once Mac- beth cancels his virtue ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |