Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 74
Página 78
... heart . ( V.i.93-96 ) But hearts once exchanged to create a new union are now returned to enunciate a final separation : Give me mine own again ; ' twere no good part To take on me to keep and kill thy heart.— So , now I have mine own ...
... heart . ( V.i.93-96 ) But hearts once exchanged to create a new union are now returned to enunciate a final separation : Give me mine own again ; ' twere no good part To take on me to keep and kill thy heart.— So , now I have mine own ...
Página 245
... heart " ( II.iv. 162-63 ) . The Fool , however , suggests that it is Lear who has killed his heart by placing it in a context that must destroy it : Lear . O me , my heart , my rising heart ! But , down ! Fool . Cry to it , nuncle , as ...
... heart " ( II.iv. 162-63 ) . The Fool , however , suggests that it is Lear who has killed his heart by placing it in a context that must destroy it : Lear . O me , my heart , my rising heart ! But , down ! Fool . Cry to it , nuncle , as ...
Página 298
... heart is flamed by the tragic pathos of their passionate sacrifice : " Yet Edmund was beloved . " He recognizes love at last , its mystery , its power , its divinity . He knows himself to die aureoled in its unresisted splendour . Now ...
... heart is flamed by the tragic pathos of their passionate sacrifice : " Yet Edmund was beloved . " He recognizes love at last , its mystery , its power , its divinity . He knows himself to die aureoled in its unresisted splendour . Now ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |