Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 56
Página 70
... forces pulling him down ( " We must to London ... I must not say no " [ III.iii.208-9 ] ) , but Richard , as at once ... forces threatening it . Richard , as he ab- dicates , uses Bolingbroke to make the King's last scene a prediction of ...
... forces pulling him down ( " We must to London ... I must not say no " [ III.iii.208-9 ] ) , but Richard , as at once ... forces threatening it . Richard , as he ab- dicates , uses Bolingbroke to make the King's last scene a prediction of ...
Página 138
... forces larger than his own personality , forces he himself has defined and set in motion . Instead , he be- comes the victim of other forces , the negation that has begun to work in Denmark before his play . His interruption of the play ...
... forces larger than his own personality , forces he himself has defined and set in motion . Instead , he be- comes the victim of other forces , the negation that has begun to work in Denmark before his play . His interruption of the play ...
Página 163
... forces surrounding him . His hero may or may not recognize the nature of his connection with the supernature . Macbeth does , but defies it . Hamlet misinterprets it . Antony forces it to desert him . Coriolanus insists on his ...
... forces surrounding him . His hero may or may not recognize the nature of his connection with the supernature . Macbeth does , but defies it . Hamlet misinterprets it . Antony forces it to desert him . Coriolanus insists on his ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |