Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 24
Página 150
... expresses profoundly Shakespeare's great theme — the discrepancy between appearance and real- ity . Certainly many of Hamlet's speeches remind us of the Hamlet we have known . If we examine his actions , however , he is a murderer ...
... expresses profoundly Shakespeare's great theme — the discrepancy between appearance and real- ity . Certainly many of Hamlet's speeches remind us of the Hamlet we have known . If we examine his actions , however , he is a murderer ...
Página 402
... expresses almost all of the play's key metaphors , and when we hear it we feel that it is Prospero's mature pro- nouncement on life . ( Some productions place it at the end of the play , making it refer to The Tempest itself . ) 28 The ...
... expresses almost all of the play's key metaphors , and when we hear it we feel that it is Prospero's mature pro- nouncement on life . ( Some productions place it at the end of the play , making it refer to The Tempest itself . ) 28 The ...
Página 419
... expresses itself only negatively within the tragic world . Richard must unking and unmarry himself ; Hamlet must force poisoned wine down the throat of his dying foe , hoping Claudius will find his " union " in hell ; Othello must marry ...
... expresses itself only negatively within the tragic world . Richard must unking and unmarry himself ; Hamlet must force poisoned wine down the throat of his dying foe , hoping Claudius will find his " union " in hell ; Othello must marry ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |