Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 68
Página 22
... drama of Communion , but potentially a character in secular drama , complete with a concomitant theory of character . If , as Hardison argues , the medieval Mass was the " sacred phase of parallel elements turned to secular use on the ...
... drama of Communion , but potentially a character in secular drama , complete with a concomitant theory of character . If , as Hardison argues , the medieval Mass was the " sacred phase of parallel elements turned to secular use on the ...
Página 23
... drama by em- phasizing the individual's sacramental possibilities and poten- tial disasters , hence his dramatic potentiality , and allows members of the culture to share in secular drama as they shared as individuals in the sacred drama ...
... drama by em- phasizing the individual's sacramental possibilities and poten- tial disasters , hence his dramatic potentiality , and allows members of the culture to share in secular drama as they shared as individuals in the sacred drama ...
Página 107
... drama : By projecting what is in the characters outward into externally visible events and actions , a play paves the way for the audience's own act of projection . We find in the external reality of a play what is hidden in ourselves .
... drama : By projecting what is in the characters outward into externally visible events and actions , a play paves the way for the audience's own act of projection . We find in the external reality of a play what is hidden in ourselves .
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |