Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 45
Página 19
... comedy will do for individual souls in the context of eternity which , within the play , has been done for the characters in the con- text of society . The Communion begins where the comedy ends , excluding the Don Johns and Antonios ...
... comedy will do for individual souls in the context of eternity which , within the play , has been done for the characters in the con- text of society . The Communion begins where the comedy ends , excluding the Don Johns and Antonios ...
Página 25
... comedy move toward self - recognization and a " new society " created of characters who have been educated or reformed during the course of the play . Comedy imitates the deeper rhythms of the Communion Service and moves toward ...
... comedy move toward self - recognization and a " new society " created of characters who have been educated or reformed during the course of the play . Comedy imitates the deeper rhythms of the Communion Service and moves toward ...
Página 30
... comedy ritual does not work . The contrast between the malfunction of ritual in comedy and in tragedy is instructive . The former represents a " correctable error , " the latter a surface manifestation of a deeper cosmic problem that ...
... comedy ritual does not work . The contrast between the malfunction of ritual in comedy and in tragedy is instructive . The former represents a " correctable error , " the latter a surface manifestation of a deeper cosmic problem that ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |