Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 59
Página 22
... character in the drama of Communion , but potentially a character in secular drama , complete with a concomitant theory of character . If , as Hardison argues , the medieval Mass was the " sacred phase of parallel elements turned to ...
... character in the drama of Communion , but potentially a character in secular drama , complete with a concomitant theory of character . If , as Hardison argues , the medieval Mass was the " sacred phase of parallel elements turned to ...
Página 133
... characters are in control of the alternatives they face . As Auerbach says , " the idea of destiny in Elizabethan drama is both more broadly conceived and more closely linked to the individual ... character's decision -whether Hamlet 133.
... characters are in control of the alternatives they face . As Auerbach says , " the idea of destiny in Elizabethan drama is both more broadly conceived and more closely linked to the individual ... character's decision -whether Hamlet 133.
Página 136
... character . Hamlet is not the right character for that par- ticular plot . " 39 Indeed , Hamlet is not fitted for the role of revenger , and the play depicts the struggle between the de- mands of the revenge code and Hamlet's nature ...
... character . Hamlet is not the right character for that par- ticular plot . " 39 Indeed , Hamlet is not fitted for the role of revenger , and the play depicts the struggle between the de- mands of the revenge code and Hamlet's nature ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |