Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
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Página 148
... calls the speech “ an admission that [ Hamlet's ] heart has grown old and that life holds nothing more of value for him . " 65 Parrott calls it “ a deadening fatalism , " 66 Stauffer a " desperate stoicism . " 67 H. B. Charlton says ...
... calls the speech “ an admission that [ Hamlet's ] heart has grown old and that life holds nothing more of value for him . " 65 Parrott calls it “ a deadening fatalism , " 66 Stauffer a " desperate stoicism . " 67 H. B. Charlton says ...
Página 337
... calls a " solemn supper ” ( III.i.14 ) and Lady Macbeth a " great feast " ( III.i.12 ) and a “ good meeting " ( III.iv.109 ) . G. Wilson Knight has termed " feasting " in Shakespeare a symbol of the " life - force . " 25 Following ...
... calls a " solemn supper ” ( III.i.14 ) and Lady Macbeth a " great feast " ( III.i.12 ) and a “ good meeting " ( III.iv.109 ) . G. Wilson Knight has termed " feasting " in Shakespeare a symbol of the " life - force . " 25 Following ...
Página 410
... calls him a " Demi - devil " ( V.i.271 ) and a " thing of darkness " ( V.i.275 ) , Caliban calls himself a " thrice - double ass . . .to take this drunkard for a god / And worship this dull fool ! " ( V.i.291-97 ) . While Caliban never ...
... calls him a " Demi - devil " ( V.i.271 ) and a " thing of darkness " ( V.i.275 ) , Caliban calls himself a " thrice - double ass . . .to take this drunkard for a god / And worship this dull fool ! " ( V.i.291-97 ) . While Caliban never ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |