Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 25
Página 98
... appearance , an extraordinary fact considering whose guards these are . Hamlet himself is well aware of the discrepancy between a true king and the " player " king , Claudius . He makes the dis- tinction between the king as body politic ...
... appearance , an extraordinary fact considering whose guards these are . Hamlet himself is well aware of the discrepancy between a true king and the " player " king , Claudius . He makes the dis- tinction between the king as body politic ...
Página 150
... appearance , a continuing reminder of the po- tential we glimpsed in an earlier Hamlet who delighted in the coming of the players and who devised a play himself . The other is the negative reality emerging as the chaotic echoes issuing ...
... appearance , a continuing reminder of the po- tential we glimpsed in an earlier Hamlet who delighted in the coming of the players and who devised a play himself . The other is the negative reality emerging as the chaotic echoes issuing ...
Página 218
... appearance to proclaim her allegiance to the invisible reality . " 13 Such al- legiance is demonstrated when Desdemona herself places the façade of appearance before reality , as she awaits word of Othello's ship : I am not merry ; but ...
... appearance to proclaim her allegiance to the invisible reality . " 13 Such al- legiance is demonstrated when Desdemona herself places the façade of appearance before reality , as she awaits word of Othello's ship : I am not merry ; but ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |