Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 51
Página 374
... tempest & storme we may thanke our owne wickeɗnes and sinful livying , we espy it wel & confesse it , we espy thy righteousnes , & we bewaile our unrighteousness ; but we appeale to thy mercy . . .without whiche neither the angels in ...
... tempest & storme we may thanke our owne wickeɗnes and sinful livying , we espy it wel & confesse it , we espy thy righteousnes , & we bewaile our unrighteousness ; but we appeale to thy mercy . . .without whiche neither the angels in ...
Página 413
... Tempest , " SQ 4 ( 1953 ) : 375-84 ; G. Wilson Knight , The Wheel of Fire , pp . 76 and 79 ; C. J. Sisson , " The Magic of Prospero , " Shakespeare Survey 11 ( Cambridge , 1958 ) : 70-77 ; and Francis Fergusson , Introduction to The Tempest ...
... Tempest , " SQ 4 ( 1953 ) : 375-84 ; G. Wilson Knight , The Wheel of Fire , pp . 76 and 79 ; C. J. Sisson , " The Magic of Prospero , " Shakespeare Survey 11 ( Cambridge , 1958 ) : 70-77 ; and Francis Fergusson , Introduction to The Tempest ...
Página 418
... Tempest , for if he cannot , it has no meaning , and the world becomes an insubstantial pageant signifying nothing . Of all of Shakespeare's plays , The Tempest imitates most profoundly the Eucharistic rhythm , from excommunication for ...
... Tempest , for if he cannot , it has no meaning , and the world becomes an insubstantial pageant signifying nothing . Of all of Shakespeare's plays , The Tempest imitates most profoundly the Eucharistic rhythm , from excommunication for ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |