Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
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Página 381
... Prospero . " This discussion will center , as the play does , on Prospero , on his awareness of what he is attempting and on his control of the production that brings harmony out of discord . Prospero's initial ap- proach to his ...
... Prospero . " This discussion will center , as the play does , on Prospero , on his awareness of what he is attempting and on his control of the production that brings harmony out of discord . Prospero's initial ap- proach to his ...
Página 391
... Prospero's otherwise excessive anger at Ariel in the previous scene . His anger does not necessarily prove that Prospero is a " crusty and irascible old pedant " ; 21 this is to define a symptom and ignore the cause . Prospero does not ...
... Prospero's otherwise excessive anger at Ariel in the previous scene . His anger does not necessarily prove that Prospero is a " crusty and irascible old pedant " ; 21 this is to define a symptom and ignore the cause . Prospero does not ...
Página 401
... Prospero's enemies . Prospero's god- like conception of his manipulation surrenders to his human experience of it . He is freed of the necessity of playing god , and as he releases the role , he finds his humanity again ; the tears ...
... Prospero's enemies . Prospero's god- like conception of his manipulation surrenders to his human experience of it . He is freed of the necessity of playing god , and as he releases the role , he finds his humanity again ; the tears ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |