Christian Ritual and the World of Shakespeare's TragediesBucknell University Press, 1976 - 441 páginas |
Dentro del libro
Resultados 1-3 de 84
Página 158
... Christian in planning his own play , and the dynamics of the play suggest strongly that at the moment Hamlet makes the Christian approach irretrievable — on his interruption of his play - he suffers his fall and becomes a tragic figure ...
... Christian in planning his own play , and the dynamics of the play suggest strongly that at the moment Hamlet makes the Christian approach irretrievable — on his interruption of his play - he suffers his fall and becomes a tragic figure ...
Página 238
... Christian , " or " pagan , " or " existentialist " critics would make it . But part of its dynamic , which Elton explains away uncon- vincingly , is Lear's journey toward the insight represented by Cordelia . It is not so much that King ...
... Christian , " or " pagan , " or " existentialist " critics would make it . But part of its dynamic , which Elton explains away uncon- vincingly , is Lear's journey toward the insight represented by Cordelia . It is not so much that King ...
Página 294
... Christian mystery : " This spake [ Christ ] of the Spirit which they that beleved in him , shulde receive : for the holie Gost was not yet given because that Jesus was not yet glorified . " Cordelia would seem to have introduced to Lear ...
... Christian mystery : " This spake [ Christ ] of the Spirit which they that beleved in him , shulde receive : for the holie Gost was not yet given because that Jesus was not yet glorified . " Cordelia would seem to have introduced to Lear ...
Otras ediciones - Ver todas
Christian Ritual and the World of Shakespeare's Tragedies Herbert R. Coursen Vista de fragmentos - 1976 |
Términos y frases comunes
action becomes begins blood body Bolingbroke calls Cassio character Christ Christian Claudius Claudius's comedy comes Communion Cordelia course created crime death deeper defined denied Desdemona devil drama earth echo elements Elizabethan emerges England evil expresses fall father fear final fire forces further Ghost give Goneril grace guilt Hamlet hand hath heart heaven Henry hero Homily human Iago Iago's John kill kind King Lear kingdom Lady later Lear's lines live London lord lost Macbeth marriage meaning merely metaphor mind moral move murder nature never night once opening Othello pagan perhaps play play's political positive possibilities potential Prayer predicts Prospero question reality represents response revenge Richard ritual role sacramental says scene seems sense Shakespeare soul speech spirit storm suggests tells Tempest thee things thou tion Tragedy tragic true truth York
Referencias a este libro
Shakespeare's Religious Allusiveness: Its Play and Tolerance Maurice Hunt Sin vista previa disponible - 2004 |