Characters of Shakespear's PlaysC.H. Reynell, 1818 - 352 páginas |
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Página xi
... feeling steals into our souls ; of all the imperceptible advantages which it there gains ; of all the stratagems by which every other passion is made subservient to it , till it becomes the sole tyrant of our desires and our aversions ...
... feeling steals into our souls ; of all the imperceptible advantages which it there gains ; of all the stratagems by which every other passion is made subservient to it , till it becomes the sole tyrant of our desires and our aversions ...
Página xiii
... feelings by the open display of the most disgust- ing moral odiousness , harrows up the mind un- mercifully , and tortures even our senses by the exhibition of the most insupportable and hateful spectacles , is one of much greater ...
... feelings by the open display of the most disgust- ing moral odiousness , harrows up the mind un- mercifully , and tortures even our senses by the exhibition of the most insupportable and hateful spectacles , is one of much greater ...
Página xvii
... feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of pas- sion . That is , he was to the poet what the painter of still life is to ...
... feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of pas- sion . That is , he was to the poet what the painter of still life is to ...
Página xviii
... feels , that each character is a species , instead of being an individual . He in fact found the general species or didactic form in Shakespear's charac- ters , which was all he sought or cared for ; he did not find the individual ...
... feels , that each character is a species , instead of being an individual . He in fact found the general species or didactic form in Shakespear's charac- ters , which was all he sought or cared for ; he did not find the individual ...
Página xix
... feeling of the beauty of the passages here re- ferred to . A stately common - place , such as Congreve's description of a ruin in the Mourn- ing Bride , would have answered Johnson's pur- pose just as well , or better than the first ...
... feeling of the beauty of the passages here re- ferred to . A stately common - place , such as Congreve's description of a ruin in the Mourn- ing Bride , would have answered Johnson's pur- pose just as well , or better than the first ...
Otras ediciones - Ver todas
Characters of Shakespear's Plays, & Lectures on the English Poets William Hazlitt Vista completa - 1903 |
Términos y frases comunes
admirable affections answer Antony Apemantus banished Banquo beauty blood Bolingbroke breath Brutus Cæsar Caliban character Chaucer Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth eyes Falstaff fear feeling fool friends genius give Gonerill grace grave Hamlet hand hath hear heart heaven Henry honour Hubert human Iago imagination Juliet Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Mark Antony ment mind moral nature never night noble Othello Pandarus passages passion Perdita pity play pleasure poet poetry pride prince racter Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shake Shakespear shew shewn sion Sir Toby sleep soul speak spear speech spirit story striking sweet tender thee thing thou art thou hast thought thyself tion Titus Andronicus tragedy true truth unto Volces wife words Yorkshire Tragedy youth