Mendelssohn: A Life in MusicOxford University Press, 2003 M10 23 - 736 páginas An extraordinary prodigy of Mozartean abilities, Felix Mendelssohn Bartholdy was a distinguished composer and conductor, a legendary pianist and organist, and an accomplished painter and classicist. Lionized in his lifetime, he is best remembered today for several staples of the concert hall and for such popular music as "The Wedding March" and "Hark, the Herald Angels Sing." Now, in the first major Mendelssohn biography to appear in decades, R. Larry Todd offers a remarkably fresh account of this musical giant, based upon painstaking research in autograph manuscripts, correspondence, diaries, and paintings. Rejecting the view of the composer as a craftsman of felicitous but sentimental, saccharine works (termed by one critic "moonlight with sugar water"), Todd reexamines the composer's entire oeuvre, including many unpublished and little known works. Here are engaging analyses of Mendelssohn's distinctive masterpieces--the zestful Octet, puckish Midsummer Night's Dream, haunting Hebrides Overtures, and elegiac Violin Concerto in E minor. Todd describes how the composer excelled in understatement and nuance, in subtle, coloristic orchestrations that lent his scores an undeniable freshness and vividness. He also explores Mendelssohn's changing awareness of his religious heritage, Wagner's virulent anti-Semitic attack on Mendelssohn's music, the composer's complex relationship with his sister Fanny Hensel, herself a child prodigy and prolific composer, his avocation as a painter and draughtsman, and his remarkable, polylingual correspondence with the cultural elite of his time. Mendelssohn: A Life offers a masterful blend of biography and musical analysis. Readers will discover many new facets of the familiar but misunderstood composer and gain new perspectives on one of the most formidable musical geniuses of all time. |
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... September 1840. Staatsbibliothek zu Berlin—Preußischer Kulturbesitz, Musikabteilung mit Mendelssohn-Archiv, Mus. Ms. autogr. S10 (Album Emily Moscheles), fol. 31 (see p. 403) Felix's drawing of a domestic scene, September 23, 1844. The ...
... September 1840. Staatsbibliothek zu Berlin—Preußischer Kulturbesitz, Musikabteilung mit Mendelssohn-Archiv, Mus. Ms. autogr. S10 (Album Emily Moscheles), fol. 31 (see p. 403) Felix's drawing of a domestic scene, September 23, 1844. The ...
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... September 21 they consummated a contract with the nineteen-year-old Joseph Maximilian Fränckel, son of a wealthy merchant and nephew of Joseph Mendelssohn. Fränckel became a “silent” partner, contributing 30,000 and 75,000 thalers to ...
... September 21 they consummated a contract with the nineteen-year-old Joseph Maximilian Fränckel, son of a wealthy merchant and nephew of Joseph Mendelssohn. Fränckel became a “silent” partner, contributing 30,000 and 75,000 thalers to ...
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... September to re-map European political terrain, the allies regaled themselves in ballrooms with a new, socially daring dance, the waltz, prompting Prince de Ligne's bon mot, Le Congrès danse et ne marche pas (“The Congress dances and ...
... September to re-map European political terrain, the allies regaled themselves in ballrooms with a new, socially daring dance, the waltz, prompting Prince de Ligne's bon mot, Le Congrès danse et ne marche pas (“The Congress dances and ...
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... September 29, 1819), Stenzel instructed Felix and his younger brother Paul. Felix, it seems, developed a childlike attachment to the young man, which elicited Lea's disapproval: “The father was a reasonable man and not displeased by the ...
... September 29, 1819), Stenzel instructed Felix and his younger brother Paul. Felix, it seems, developed a childlike attachment to the young man, which elicited Lea's disapproval: “The father was a reasonable man and not displeased by the ...
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... September 12 a musician he had met in 1796 in Berlin. That occasion had been a visit to the Singakademie by Beethoven, who had improvised on a fugal subject from Fasch's setting of Psalm 119.111 Now, in 1819, Zelter embraced a composer ...
... September 12 a musician he had met in 1796 in Berlin. That occasion had been a visit to the Singakademie by Beethoven, who had improvised on a fugal subject from Fasch's setting of Psalm 119.111 Now, in 1819, Zelter embraced a composer ...
Contenido
The Road to Damascus | 199 |
Elijahs Chariot | 345 |
Abbreviations | 571 |
Notes | 573 |
Bibliography | 629 |
Index of Mendelssohns Works | 645 |
General Index | 653 |
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Abraham Andante appeared April aria August autograph Bach’s bass Beethoven’s Berlin cantata Cécile chorale chords chorus com composer composer’s composition con concert counterpoint December Devrient duet Düsseldorf Eduard Elijah English Fanny Fanny Hensel Fanny’s February Felix Mendelssohn Felix Mendelssohn Bartholdy Felix to Lea festival final Frankfurt French fugue German Gewandhaus Goethe Goethe’s Handel’s Henriette Hensel Hiller Ibid J. S. Bach January July June Klingemann Kraków later Leipzig Letters libretto Lied ohne Worte Lieder London major March Marx MDM GB melody Mendelssohn Bartholdy Midsummer Night’s Dream minor Moscheles Moses Moses Mendelssohn movement Mozart musicians November numbers NYPL October opera oratorio orchestra organ overture Paulus performed pianist Piano Concerto played premiere Prussian Psalm published Rebecka rehearsals Robert Schumann scherzo Schubring score September Singakademie solo soloists song soprano String Quartet Symphony theme tion Trio verses violin Ward Jones Weber Wilhelm Wilhelm Hensel Zelter