Mendelssohn: A Life in MusicOxford University Press, 2003 M10 23 - 736 páginas An extraordinary prodigy of Mozartean abilities, Felix Mendelssohn Bartholdy was a distinguished composer and conductor, a legendary pianist and organist, and an accomplished painter and classicist. Lionized in his lifetime, he is best remembered today for several staples of the concert hall and for such popular music as "The Wedding March" and "Hark, the Herald Angels Sing." Now, in the first major Mendelssohn biography to appear in decades, R. Larry Todd offers a remarkably fresh account of this musical giant, based upon painstaking research in autograph manuscripts, correspondence, diaries, and paintings. Rejecting the view of the composer as a craftsman of felicitous but sentimental, saccharine works (termed by one critic "moonlight with sugar water"), Todd reexamines the composer's entire oeuvre, including many unpublished and little known works. Here are engaging analyses of Mendelssohn's distinctive masterpieces--the zestful Octet, puckish Midsummer Night's Dream, haunting Hebrides Overtures, and elegiac Violin Concerto in E minor. Todd describes how the composer excelled in understatement and nuance, in subtle, coloristic orchestrations that lent his scores an undeniable freshness and vividness. He also explores Mendelssohn's changing awareness of his religious heritage, Wagner's virulent anti-Semitic attack on Mendelssohn's music, the composer's complex relationship with his sister Fanny Hensel, herself a child prodigy and prolific composer, his avocation as a painter and draughtsman, and his remarkable, polylingual correspondence with the cultural elite of his time. Mendelssohn: A Life offers a masterful blend of biography and musical analysis. Readers will discover many new facets of the familiar but misunderstood composer and gain new perspectives on one of the most formidable musical geniuses of all time. |
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Página xix
... Handel: St. Paul (1836), which scored early international successes in Germany, England, Denmark, Holland, Poland, Russia, Switzerland, and the United States; and, second only to Handel's Messiah, Elijah (1846), premiered in Birmingham ...
... Handel: St. Paul (1836), which scored early international successes in Germany, England, Denmark, Holland, Poland, Russia, Switzerland, and the United States; and, second only to Handel's Messiah, Elijah (1846), premiered in Birmingham ...
Página xxvii
... Handel—and his attempt to reconcile the classic-romantic dichotomy by overlaying onto richly expressive music the classical attributes of poise, balance, and clarity—has much to do with restoring and preserving, in an age Schumann ...
... Handel—and his attempt to reconcile the classic-romantic dichotomy by overlaying onto richly expressive music the classical attributes of poise, balance, and clarity—has much to do with restoring and preserving, in an age Schumann ...
Página 11
... Handel, J. S. Bach, C. P. E. Bach, Quantz, and Franz Benda. Sarah Levy frequently performed keyboard concerti of the Bachs; thus, in 1807 and 1808, she appeared as soloist in J. S. Bach's Fifth Brandenburg Concerto and Concerto in D ...
... Handel, J. S. Bach, C. P. E. Bach, Quantz, and Franz Benda. Sarah Levy frequently performed keyboard concerti of the Bachs; thus, in 1807 and 1808, she appeared as soloist in J. S. Bach's Fifth Brandenburg Concerto and Concerto in D ...
Página 35
... Handel—Fanny with a virtuosity and Felix an ingenuity that boggled the mind.57 Exactly when the prodigies departed Paris has eluded scholarly investigation, although the children resumed their studies some time in 1817 with Bigot and ...
... Handel—Fanny with a virtuosity and Felix an ingenuity that boggled the mind.57 Exactly when the prodigies departed Paris has eluded scholarly investigation, although the children resumed their studies some time in 1817 with Bigot and ...
Página 42
... Handel's Alexander's Feast in 1807. Meanwhile, the Singakademie continued to rehearse J. S. Bach's motets and even took up parts of the B-minor Mass and St. John Passion. Yet another creative outlet emerged in 1809, when Zelter ...
... Handel's Alexander's Feast in 1807. Meanwhile, the Singakademie continued to rehearse J. S. Bach's motets and even took up parts of the B-minor Mass and St. John Passion. Yet another creative outlet emerged in 1809, when Zelter ...
Contenido
The Road to Damascus | 199 |
Elijahs Chariot | 345 |
Abbreviations | 571 |
Notes | 573 |
Bibliography | 629 |
Index of Mendelssohns Works | 645 |
General Index | 653 |
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Términos y frases comunes
Abraham Andante appeared April aria August autograph Bach’s bass Beethoven’s Berlin cantata Cécile chorale chords chorus com composer composer’s composition con concert counterpoint December Devrient duet Düsseldorf Eduard Elijah English Fanny Fanny Hensel Fanny’s February Felix Mendelssohn Felix Mendelssohn Bartholdy Felix to Lea festival final Frankfurt French fugue German Gewandhaus Goethe Goethe’s Handel’s Henriette Hensel Hiller Ibid J. S. Bach January July June Klingemann Kraków later Leipzig Letters libretto Lied ohne Worte Lieder London major March Marx MDM GB melody Mendelssohn Bartholdy Midsummer Night’s Dream minor Moscheles Moses Moses Mendelssohn movement Mozart musicians November numbers NYPL October opera oratorio orchestra organ overture Paulus performed pianist Piano Concerto played premiere Prussian Psalm published Rebecka rehearsals Robert Schumann scherzo Schubring score September Singakademie solo soloists song soprano String Quartet Symphony theme tion Trio verses violin Ward Jones Weber Wilhelm Wilhelm Hensel Zelter