Weak lightning before darkness! poor faint smile Of dying Islam! Voice which art the response Of hollow weakness! Do I wake and live?
Were there such things? or may the unquiet brain, Vex'd by the wise mad talk of the old Jew, Have shaped itself these shadows of its fear? It matters not!-for naught we see or dream, Possess, or lose, or grasp at, can be worth More than it gives or teaches. Come what may, The future must become the past, and I As they were to whom once this present hour, This gloomy crag of time to which I cling, Seem'd an Elysian isle of peace and joy Never to be attain'd.-I must rebuke This drunkenness of triumph ere it die, And dying, bring despair.-Victory!-poor slaves! [Exit MAHMUD.
Shout in the jubilee of death! The Greeks Are as a brood of lions in the net, Round which the kingly hunters of the earth Stand smiling. Anarchs, ye whose daily food Are curses, groans, and gold, the fruit of death, From Thule to the girdle of the world,
Come, feast! the board groans with the flesh of men
The cup is foaming with a nation's blood, Famine and thirst await:-eat, drink, and die!
Victorious Wrong, with vulture scream, Salutes the risen sun, pursues the flying day! I saw her ghastly as a tyrant's dream, Perch on the trembling pyramid of night, Beneath which earth and all her realms pavilion'd lay In visions of the dawning undelight.
Who shall impede her flight? Who rob her of her prey?
VOICE WITHOUT.
Victory! victory! Russia's famish'd eagles Dare not to prey beneath the crescent's light. Impale the remnant of the Greeks! despoil! Violate! make their flesh cheaper than dust!
SEMICHORUS II
Thou voice which art
The herald of the ill in splendor hid! Thou echo of the hollow heart
Of monarch, bear me to thine abode When desolation flashes o'er a world destroy'd. Oh bear me to those isles of jagged cloud
Which float like mountains on the earthquakes, 'mid
The momentary oceans of the lightning; Or to some toppling promontory proud Of solid tempest, whose black pyramid, Riven, overhangs the founts intensely brightening Of those dawn-tinted deluges of fire Before their waves expire,
When Heaven and earth are light, and only light In the thunder-night!
Whose fairest thoughts and limbs were built The music and fragrance their solitudes breathe,
SEMICHORUS II.
The young moon has fed Her exhausted horn
With the sunset's fire:
The weak day is dead,
But the night is not born;
And, like loveliness panting with wild desire, While it trembles with fear and delight, Hesperus flies from awakening might,
And pants in its beauty and speed with light Fast flashing, soft, and bright.
Thou beacon of love! thou lamp of the free! Guide us far, far away,
To climes where now, veil'd by the ardor of day, Thou art hidden
From waves on which weary Noon Faints in her summer swoon, Between kingless continents, sinless as Eden, Around mountains and islands inviolably Prankt on the sapphire sea.
Through the sunset of hope, Like the shapes of a dream, What Paradise islands of glory gleam
Beneath Heaven's cope.
Their shadows more clear float by
The sound of their oceans, the light of their sky,
Burst like morning on dreams, or like Heaven on death
Through the walls of our prison;
And Greece, which was dead, is arisen!
The world's great age begins anew,*
The golden years return, The earth doth like a snake renew Her winter weeds outworn: Heaven smiles, and faiths and empires gleam Like wrecks of a dissolving dream.
A brighter Hellas rears its mountains From waves serener far,
A new Peneus rolls its fountains Against the morning-star. Where fairer Tempes bloom, there sleep Young Cyclads, on a sunnier deep; A loftier Argos cleaves the main, Fraught with a later prize; Another Orpheus sings again,
And loves, and weeps, and dies. A new Ulysses leaves once more Calypso for his native shore.
O write no more the tale of Troy, If earth Death's scroll must be! Nor mix with Laian rage the joy
Which dawns upon the free: Although a subtle sphinx renew Riddles of death Thebes never knew, Another Athens shall arise,
And to remoter time
Bequeath, like sunset to the skies,
The splendor of its prime;
And leave, if naught so bright may live, All earth can take or heaven can give. Saturn and Love their long repose+
Shall burst, more wise and good Than all who fell, than one who rose,
Than many unwithstood
Not gold, nor blood, their altar dowers, But native tears, and symbol flowers. O cease! must hate and death return? Cease! must men kill and die? Cease! drain not to its dregs the urn
Of bitter prophecy.
The world is weary of the past—
O might it die or rest at last!
The final chorus is indistinct and obscure as the event of the living drama whose arrival it foretells. Prophecies of wars, and rumor of wars, etc. may safely be made by poet or prophet in any age; but to anticipate, however darkly, a period of regeneration and happiness, is a more hazardous exercise of the faculty which bards possess or feign. I will remind the reader. magno nec proximus intervallo," of Isaiah and Virgil, whose ardent, spirits overleaping the actual reign of evil which we endure and bewail, already saw the possible and perhaps ap proaching state of society in which the "lion shall lie down with the lamb," and "omnis feret omnia tellus." Let these great names be my authority and excuse.
↑ Saturn and Love were among the deities of a real or imagiDary state of innocence and happiness. All those who fell, or the Gods of Greece, Asia and Egypt, and the many unsubdued, or the monstrous objects of the idolatry of China, India, the Antarctic islands, and the native tribes of America, certainly have reigned over the understandings of men in conjunction of in succession, during periods in which all we know of evil has been in a state of portentous, and, until the revival of learning and the arts, perpetually increasing activity. The Grecian Gods seem indeed to have been personally more innocent, although it cannot be said that, as far as temperance and chastity are concerned, they gave very edifying examples. The horrors of the Mexican, the Peruvian, and the Indian superstitions are well known.
The meadows with fresh streams, the bees with thyme, The goats with the green leaves of budding spring, Are saturated not-nor Love with tears. VIRGIL'S Gallus.
COUNT MADDALO is a Venetian nobleman of ancient family and of great fortune, who, without mixing much in the society of his countrymen, resides chiefly at his magnificent palace in that city. He is a person of the most consummate genius, and capable, if he would direct his ener gies to such an end, of becoming the redeemer of his degraded country. But it is his weakness to be proud: he derives, from a comparison of his own extraordinary mind with the dwarfish intellects that surround him, an intense apprehension of the nothingness of human life. His pas. sions and his powers are incomparably greater than those of other men, and instead of the latter having been employed in curbing the former, they have mutually lent each other strength. His ambition preys upon itself, for want of objects which it can consider worthy of exertion. I say that Maddalo is proud, because I can find no other word to express the concentred and impatient feelings which consume him; but it is on his own hopes and af fections only that he seems to trample, for in social life no human being can be more gentle, patient, and unassuming than Maddalo. He is cheerful, frank, and witty. His more serious conversation is a sort of intoxication; men are held by it as by a spell. He has travelled much: and there is an inexpressible charm in his relation of his adventures in different countries..
Julian is an Englishman of good family, passionately
Matted with thistles and amphibious weeds, Such as from earth's embrace the salt ooze breeds, Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried, Abandons; and no other object breaks
The waste, but one dwarf-tree and some few stakes Broken and unrepair'd, and the tide makes A narrow space of level sand thereon, Where 't was our wont to ride while day went down This ride was my delight. I love all waste And solitary places; where we taste The pleasure of believing what we see Is boundless, as we wish our souls to be: And such was this wide ocean, and this shore More barren than its billows; and yet more Than all, with a remember'd friend I love To ride as then I rode-for the winds drove The living spray along the sunny air Into our faces; the blue heavens were bare, Stripp'd to their depths by the awakening north; And, from the waves, sound like delight.broke forth, Harmonizing with solitude, and sent Into our hearts aërial merriment.
So, as we rode, we talk'd; and the swift thought, Winging itself with laughter, linger'd not, But flew from brain to brain,-such glee was ours, Charged with light memories of remember'd hours, None slow enough for sadness: till we came Homeward, which always makes the spirit tame. This day had been cheerful but cold, and now
attached to those philosophical notions which assert the power of man over his own mind, and the immense im- The sun was sinking, and the wind also. provements of which, by the extinction of certain moral Our talk grew somewhat serious, as may be superstitions, human society may be yet susceptible.Talk interrupted with such raillery
Without concealing the evil in the world, he is for ever
speculating how good may be made superior. He is a As mocks itself, because it cannot scorn complete infidel, and a scoffer at all things reputed holy; The thoughts it would extinguish :-'t was forlorn, and Maddalo takes a wicked pleasure in drawing out his Yet pleasing; such as once, so poets tell,
taunts against religion. What Maddalo thinks on these matters is not exactly known. Julian, in spite of his heterodox opinions, is conjectured by his friends to possess some good qualities. How far this is possible, the pious reader will determine. Julian is rather serious.
The devils held within the dales of hell, Concerning God, free-will, and destiny. Of all that Earth has been, or yet may be, Of the Maniac I can give no information. He seems by All that vain men imagine or believe, his own account to have been disappointed in love. He Or hope can paint, or suffering can achieve, was evidently a very cultivated and amiable person when We descanted; and I (for ever still in his right senses. Ilis story, told at length, might be like Is it not wise to make the best of ill?)
many other stories of the same kind: the unconnected exclamations of his agony will perhaps be found a sufficient comment for the text of every heart.
I RODE one evening with Count Maddalo Upon the bank of land which breaks the flow Of Adria towards Venice: a bare strand Of hillocks, heap'd from ever-shifting sand,
Argued against despondency; but pride Made my companion take the darker side. The sense that he was greater than his kind Had struck, methinks, his eagle spirit blind By gazing on its own exceeding light. Meanwhile the sun paused ere it should alight Over the horizon of the mountains-Oh! How beautiful is sunset, when the glow Of heaven descends upon a land like thee, Thou paradise of exiles, Italy!
*The greater part of these pieces first appeared after Thy mountains, seas, and vineyards, and the towers their author's death, in a volume of POEMS, edited by Mrs. Of cities they encircle!—It was ours Shelley, whose interesting Preface will be found entire in To stand on thee, beholding it: and then, the biographical memoir prefixed to this edition.-EDITOR. Just where we had dismounted, the Count's men
Were waiting for us with the gondola. As those who pause on some delightful way, Though bent on pleasant pilgrimage, we stood, Looking upon the evening and the flood, Which lay between the city and the shore, Paved with the image of the sky: the hoar And aery Alps, towards the north, appear'd, Through mist, a heaven-sustaining bulwark, rear'd Between the east and west; and half the sky Was roof'd with clouds of rich emblazonry, Dark purple at the zenith, which still grew Down the steep west into a wondrous hue Brighter than burning gold, even to the rent Where the swift sun yet paused in his descent Among the many-folded hills-they were Those famous Euganean hills, which bear, As seen from Lido through the harbor piles, The likeness of a clump of peaked isles- And then, as if the earth and sea had been Dissolved into one lake of fire, were seen Those mountains towering, as from waves of flame, Around the vaporous sun, from which there came The inmost purple spirit of light, and made Their very peaks transparent. "Ere it fade," Said my companion. "I will show you soon A better station." So, o'er the lagune We glided; and from that funereal bark I lean'd, and saw the city, and could mark How from their many isles, in evening's gleam, Its temples and its palaces did seem Like fabrics of enchantment piled to heav'n. I was about to speak, when-"We are even Now at the point I meant," said Maddalo, And bade the gondolieri cease to row. "Look, Julian, on the west, and listen well If you hear not a deep and heavy bell." I look'd, and saw between us and the sun A building on an island, such an one As age to age might add, for uses vile,- A windowless, deform'd and dreary pile; And on the top an open tower, where hung
For what? they know not, till the night of death, As sunset that strange vision, severeth Our memory from itself, and us from all We sought, and yet were baffled." I reca'i The sense of what he said, although I mar The force of his expressions. The broad star Of day meanwhile had sunk behind the hill; And the black bell became invisible; And the red tower look'd gray; and all between. The churches, ships, and palaces, were seen Huddled in gloom; into the purple sea The orange hues of heaven sunk silently. We hardly spoke, and soon the gondola Convey'd me to my lodging by the way.
The following morn was rainy, cold and dim: Ere Maddalo arose I call'd on him, And whilst I waited, with his child I play'd; A lovelier toy sweet Nature never made; A serious, subtle, wild, yet gentle being; Graceful without design, and unforeseeing; With eyes-Oh! speak not of her eyes! which seem Twin mirrors of Italian Heaven, yet gleam With such deep meaning as we never see But in the human countenance. With me She was a special favorite: I had nursed Her fine and feeble limbs, when she came first To this bleak world; and she yet seem'd to know, On second sight, her ancient playfellow, Less changed than she was by six months or so. For, after her first shyness was worn out,
We sate there, rolling billiard-balls about, When the Count enter'd. Salutations past: "The words you spoke last night might well have cast A darkness on my spirit:-if man be The passive thing you say, I should not see Much harm in the religions and old saws (Though I may never own such leaden laws) Which break a teachless nature to the yoke: Mine is another faith."-Thus much I spoke, And, noting he replied not, added-" See
A bell, which in the radiance sway'd and swung-This lovely child; blithe, innocent and free;
We could just hear its hoarse and iron tongue : The broad sun sank behind it, and it toll'd In strong and black relief." What we behold Shall be the madhouse and its belfry tower;" Said Maddalo, " and even at this hour, Those who may cross the water hear that bell, Which calls the maniacs, each one from his cell, To vespers."-" As much skill as need to pray, In thanks or hope for their dark lot, have they, To their stern Maker," I replied.-" O, ho!
You talk as in years past," said Maddalo.
""Tis strange men change not. You were ever still Among Christ's flock a perilous infidel,
A wolf for the meek lambs: if you can't swim, Beware of providence." I look'd on him, But the gay smile had faded from his eye. "And such," he cried " is our mortality; And this must be the emblem and the sign Of what should be eternal and divine; And like that black and dreary bell, the soul Hung in a heav'n-illumined tower, must toll Our thoughts and our desires to meet below Round the rent heart, and pray-as madmen do;
She spends a happy time, with little care; While we to such sick thoughts subjected are, As came on you last night. It is our will Which thus enchains us to permitted ill. We might be otherwise; we might be all We dream of, happy, high, majestical. Where is the love, beauty, and truth we seek, But in our minds? And, if we were not weak, Should we be less in deed than in desire?"-
Ay, if we were not weak,-and we aspire, How vainly! to be strong," said Maddalo You talk Utopia"-
I then rejoin'd," and those who try, may find How strong the chains are which our spirit bina. Brittle perchance as straw. We are assured Much may be conquer'd, much may be endured, Of what degrades and crushes us. We know That we have power over ourselves to do And suffer-what, we know not till we try; But something nobler than to live and die: So taught the kings of old philosophy,
Who reign'd before religion made men blind; And those who suffer with their suffering kind, Yet feel this faith, religion."
"My dear friend," Said Maddalo," my judgment will not bend To your opinion, though I think you might Make such a system refutation-tight, As far as words go. I knew one like you, Who to this city came some months ago, With whom I argued in this sort,—and he Is now gone mad-and so he answer'd me, Poor fellow!-But if you would like to go, We'll visit him, and his wild talk will show How vain are such aspiring theories."—
"I hope to prove the induction otherwise, And that a want of that true theory still, Which seeks a soul of goodness in things ill, Or in himself or others, has thus bow'd His being there are some by nature proud, Who, patient in all else, demand but thisTo love and be beloved with gentleness:And being scorn'd, what wonder if they die Some living death? This is not destiny, But man's own wilful ill."
As thus I spoke, Servants announced the gondola, and we Through the fast-falling rain and high-wrought sea Sail'd to the island where the mad-house stands. We disembark'd. The clap of tortured hands, Fierce yells, and howlings, and lamentings keen, And laughter where complaint had merrier been, Accosted us. We climb'd the oozy stairs Into an old court-yard. I heard on high, Then, fragments of most touching melody, But looking up saw not the singer there.Through the black bars in the tempestuous air I saw, like weeds on a wreck'd palace growing, Long tangled locks flung wildly forth and flowing, Of those who on a sudden were beguiled Into strange silence, and look'd forth and smiled, Hearing sweet sounds. Then I :
"Methinks there were A cure of these with patience and kind care, If music can thus move. But what is he, Whom we seek here?"
Of his sad history I know but this," said Maddalo: "he came To Venice a dejected man, and fame Said he was wealthy, or he had been so. Some thought the loss of fortune wrought him woe; But he was ever talking in such sort
As you do, but more sadly ;-he seem'd hurt, Even as a man with his peculiar wrong, To hear but of the oppression of the strong, Or those absurd deceits (I think with you
In some respects, you know) which carry through The excellent impostors of this earth When they outface detection. He had worth, Poor fellow! but a humorist in his way."-
A lady came with him from France, and when She left him and return'd, he wander'd then About yon lonely isles of desert sand, Till he grew wild. He had no cash or land Remaining:-the police had brought him here - Some fancy took him, and he would not bear Removal, so I fitted up for him
Those rooms beside the sea, to please his whim; And sent him busts, and books, and urns for flowers Which had adorn'd his life in happier hours, And instruments of music. You may guess
A stranger could do little more or less For one so gentle and unfortunate-
And those are his sweet strains which charm the weight
From madmen's chains, and make this hell appear A heaven of sacred silence, hush'd to hear."
“Nay, this was kind of you, he had no claim, As the world says."
"None but the. very same Which I on all mankind, were I, as he, Fall'n to such deep reverse. His melody Is interrupted now; we hear the din Of madmen, shriek on shriek, again begin Let us now visit him: after this strain, He ever communes with himself again, And sees and hears not any."
Having said These words, we call'd the keeper, and he led To an apartment opening on the sea.- There the poor wretch was sitting mournfully Near a piano, his pale fingers twined
One with the other; and the ooze and wind Rush'd through an open casement, and did sway His hair, and starr'd it with the brackish spray; His head was leaning on a music-book, And he was muttering; and his lean limbs shook; His lips were press'd against a folded leaf In hue too beautiful for health, and grief Smiled in their motions as they lay apart, As one who wrought from his own fervid hear* The eloquence of passion: soon he raised His sad meek face, and eyes lustrous and glazed. And spoke,-sometimes as one who wrote, and thought His words might move some heart that heeded not, If sent to distant lands;-and then as oue Reproaching deeds never to be undone, With wondering self-compassion-thea his speech Was lost in grief, and then his words came each Unmodulated and expressionless,-
But that from one jarr'd accent you might guess It was despair made them so uniform: And all the while the lond and gusty storm Hiss'd through the window, and we stood behind, Stealing his accents from the envious wind, Unseen. I yet remember what he said Distinctly, such impression his words made
Month after month," he cried, " to bear this load. And, as a jade urged by the whip and goad, To drag life on-which like a heavy chain Lengthens behind with many a link of pain, And not to speak my grief-O, not to dare To give a human voice to my despair;
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