The Classical Tradition : Greek and Roman Influences on Western Literature: Greek and Roman Influences on Western LiteratureOxford University Press, USA, 1949 M12 31 - 802 páginas A reissue in paperback of a title first published in 1949. |
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Página xii
... Revolutionaries ; Vanderbilt University Press , Nashville , Tenn . , from C. M. Lancaster's and P. T. Manchester's translation , The Araucaniad ; The Viking Press Inc. , New York , from James Joyce's A Portrait of the Artist as a Young ...
... Revolutionaries ; Vanderbilt University Press , Nashville , Tenn . , from C. M. Lancaster's and P. T. Manchester's translation , The Araucaniad ; The Viking Press Inc. , New York , from James Joyce's A Portrait of the Artist as a Young ...
Página xxii
... revolutionary acts of the Pléiade its principles · 219 219 · 220 221-9 · 221 · 221 · 221 • 222 • 222 · 224 • 225 · 225 • 226 • 227 • 228 229 229 229-30 • 230 230-44 231 231 231 232 subjects Chiabrera his ' invention ' of the ode his ...
... revolutionary acts of the Pléiade its principles · 219 219 · 220 221-9 · 221 · 221 · 221 • 222 • 222 · 224 • 225 · 225 • 226 • 227 • 228 229 229 229-30 • 230 230-44 231 231 231 232 subjects Chiabrera his ' invention ' of the ode his ...
Página xxiii
... revolutionary era The Pindaric ode Goethe , Schiller , Hölderlin • 248 . 248 · 249 · 249 250-3 250 · 251 Hugo • 251 Shelley · 251 Wordsworth · 251 Horatian odes blended with Pindaric elements Keats · 252 252 The nineteenth and twentieth ...
... revolutionary era The Pindaric ode Goethe , Schiller , Hölderlin • 248 . 248 · 249 · 249 250-3 250 · 251 Hugo • 251 Shelley · 251 Wordsworth · 251 Horatian odes blended with Pindaric elements Keats · 252 252 The nineteenth and twentieth ...
Página xxviii
... revolutionary age abandoned hackneyed and unimagina- tive classical allusions It rejected certain classical ideals ... revolutionary era Greek What did Greece mean to the men of the revolutionary age ? Beauty and nobility Freedom ...
... revolutionary age abandoned hackneyed and unimagina- tive classical allusions It rejected certain classical ideals ... revolutionary era Greek What did Greece mean to the men of the revolutionary age ? Beauty and nobility Freedom ...
Página xxix
... revolutionary poets Faust the German and Helen the Greek 3. FRANCE AND THE UNITED STATES · 386 386 • · 387 • 387 • 387 · 387 • 388 · 388 388 389 390-407 Classical influences were a leading factor in the French Revolution 390-9 379 380 ...
... revolutionary poets Faust the German and Helen the Greek 3. FRANCE AND THE UNITED STATES · 386 386 • · 387 • 387 • 387 · 387 • 388 · 388 388 389 390-407 Classical influences were a leading factor in the French Revolution 390-9 379 380 ...
Contenido
ITALY | 5 |
THE MIDDLE AGES II14 | 11 |
PASTORAL | 12 |
FRENCH LITERA | 19 |
style and mythology | 20 |
ENGLISH LITERATURE 2247 | 22 |
Marius the Epicurean | 23 |
France the centre of medieval literature | 28 |
Jeffers and Anouilh | 527 |
changes in the plots | 534 |
GrecoRoman paganism | 547 |
SHAKESPEARES CLASSICS | 550 |
illustrative examples | 563 |
The richness of Renaissance epic | 572 |
The Renaissance Drama | 598 |
116 | 611 |
The Romance of Aeneas | 38 |
Filostrato | 55 |
Ovid and romantic love | 57 |
Boccaccios scholarship and discovery of lost classics | 71 |
Eclogues | 86 |
93103 | 94 |
Valerius Flaccus | 101 |
oratory | 105 |
GERMANY | 113 |
smaller works | 123 |
EPIC | 144 |
Adaptations of classical episodes | 153 |
Latinized and hellenized words and phrases | 160 |
Sannazaros Arcadia | 169 |
pastoral opera | 175 |
His book a childish series of giantadventures containing | 182 |
The revolutionary poets of Italy were pessimists | 198 |
Anacreon and his imitators | 229 |
Jonson | 238 |
Spain | 244 |
Lyrical poetry in the revolutionary | 250 |
History of the War 1688 | 280 |
France | 287 |
SATIRE | 299 |
The Romance of the Rose | 305 |
Brants The Ship of Fools | 312 |
BAROQUE PROSE 32254 | 322 |
more Roman than Greek | 352 |
Lessing | 364 |
the group | 372 |
His love for Greek | 379 |
Faust II | 386 |
Foscolo | 395 |
French literature of the revolution | 401 |
Leopardi | 429 |
its ideals | 440 |
the chief arguments against Christianity | 451 |
Christianity is timid and feeble | 459 |
A CENTURY OF SCHOLARSHIP | 466 |
why did he never finish his History of Rome? | 477 |
Arnold and Newman on translating Homer | 483 |
THE SYMBOLIST POETS AND JAMES | 501 |
How his energy dominated his conflicts | 619 |
Victor Hugo | 622 |
The chief arguments used by the moderns | 640 |
2503 | 645 |
Baroque Tragedy | 648 |
818 | 649 |
251 | 654 |
84 | 660 |
Hugo | 661 |
34454 | 670 |
Shelley | 672 |
A Century of Scholarship | 690 |
CONCLUSION | 693 |
The revolutionary era and the Renaissance | 703 |
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Otras ediciones - Ver todas
The Classical Tradition: Greek and Roman Influences on Western Literature Gilbert Highet Vista de fragmentos - 1949 |
The Classical Tradition: Greek and Roman Influences on Western Literature Gilbert Highet Vista de fragmentos - 1949 |
Términos y frases comunes
admired Aeneid ancient artistic authors baroque age beauty became Beowulf Boethius Boileau Cædmon called century characters Chaucer chief Christian church Cicero civilization classical literature Comedy contemporary culture Dante Dante's Dark Ages drama emotion English epic essay Europe famous France French German Gibbon Goethe greatest Greco-Roman Greece Greece and Rome Greek and Latin Greek and Roman hero heroic Homer Horace ideals Iliad imagination imitation important inspired Italian Italy Jean de Meun knew language legend less literary lived lyric medieval metre Middle Ages Milton modelled modern moral myth nature odes Odyssey original Ovid pagan pastoral pattern Petrarch philosophical Pindar Plato Plautus plays Plutarch poem poetic poetry poets produced prose Renaissance revolutionary Roman empire Rome Ronsard satire satirists says scholars Seneca Shakespeare sometimes songs spirit stanza story style symbol Telemachus thought tion tradition tragedy translation Trojan Vergil verse words writing written wrote
Pasajes populares
Página iv - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.