The Classical Tradition : Greek and Roman Influences on Western Literature: Greek and Roman Influences on Western LiteratureOxford University Press, USA, 1949 M12 31 - 802 páginas A reissue in paperback of a title first published in 1949. |
Dentro del libro
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Página xiv
... emotion content · educational power personal example How Alfred translated it 19 19 20 20 21 22-47 · 22 22-35 22 • 22 23 24 24 27 28 28 29 29 31 32 32 32 34 • 35 35-47 36 36 36 37 37 38 • 39 39 40 40 40 41 41 • 41 42 • 42 43 • 43 · 44 ...
... emotion content · educational power personal example How Alfred translated it 19 19 20 20 21 22-47 · 22 22-35 22 • 22 23 24 24 27 28 28 29 29 31 32 32 32 34 • 35 35-47 36 36 36 37 37 38 • 39 39 40 40 40 41 41 • 41 42 • 42 43 • 43 · 44 ...
Página xxiv
... Emotional basis of this argument Its truth in science Its falsity in art and the problems of life Forgotten crafts The dwarf on the giant's shoulders The world growing older · Spengler's theory of the relative ages of civilizations ...
... Emotional basis of this argument Its truth in science Its falsity in art and the problems of life Forgotten crafts The dwarf on the giant's shoulders The world growing older · Spengler's theory of the relative ages of civilizations ...
Página xxvi
... emotions extreme symmetry artificial rules Conclusion CHAPTER 17. SATIRE Satire was a Roman invention Roman verse satirists Roman prose satirists Greek influences on Roman and modern satire Lucian Definition of satire • Satirical ...
... emotions extreme symmetry artificial rules Conclusion CHAPTER 17. SATIRE Satire was a Roman invention Roman verse satirists Roman prose satirists Greek influences on Roman and modern satire Lucian Definition of satire • Satirical ...
Página xxx
... emotion · 412 Byron's attitude to Greece and Rome was equivocal 412 he knew much classical literature 413 but bad teaching prevented him from accepting its full power 413 He preferred the countries themselves , and their ideals Keats ...
... emotion · 412 Byron's attitude to Greece and Rome was equivocal 412 he knew much classical literature 413 but bad teaching prevented him from accepting its full power 413 He preferred the countries themselves , and their ideals Keats ...
Página xxxii
... emotional control 439-53 440 • • Poe Arnold Leconte de Lisle and others severity of form Heredia Carducci . 440 441 44I 442 · 442 443 Gautier art for art's sake origin of the doctrine . its dangers · 443 443 444 445 Huysmans , Swinburne ...
... emotional control 439-53 440 • • Poe Arnold Leconte de Lisle and others severity of form Heredia Carducci . 440 441 44I 442 · 442 443 Gautier art for art's sake origin of the doctrine . its dangers · 443 443 444 445 Huysmans , Swinburne ...
Contenido
ITALY | 5 |
THE MIDDLE AGES II14 | 11 |
PASTORAL | 12 |
FRENCH LITERA | 19 |
style and mythology | 20 |
ENGLISH LITERATURE 2247 | 22 |
Marius the Epicurean | 23 |
France the centre of medieval literature | 28 |
Jeffers and Anouilh | 527 |
changes in the plots | 534 |
GrecoRoman paganism | 547 |
SHAKESPEARES CLASSICS | 550 |
illustrative examples | 563 |
The richness of Renaissance epic | 572 |
The Renaissance Drama | 598 |
116 | 611 |
The Romance of Aeneas | 38 |
Filostrato | 55 |
Ovid and romantic love | 57 |
Boccaccios scholarship and discovery of lost classics | 71 |
Eclogues | 86 |
93103 | 94 |
Valerius Flaccus | 101 |
oratory | 105 |
GERMANY | 113 |
smaller works | 123 |
EPIC | 144 |
Adaptations of classical episodes | 153 |
Latinized and hellenized words and phrases | 160 |
Sannazaros Arcadia | 169 |
pastoral opera | 175 |
His book a childish series of giantadventures containing | 182 |
The revolutionary poets of Italy were pessimists | 198 |
Anacreon and his imitators | 229 |
Jonson | 238 |
Spain | 244 |
Lyrical poetry in the revolutionary | 250 |
History of the War 1688 | 280 |
France | 287 |
SATIRE | 299 |
The Romance of the Rose | 305 |
Brants The Ship of Fools | 312 |
BAROQUE PROSE 32254 | 322 |
more Roman than Greek | 352 |
Lessing | 364 |
the group | 372 |
His love for Greek | 379 |
Faust II | 386 |
Foscolo | 395 |
French literature of the revolution | 401 |
Leopardi | 429 |
its ideals | 440 |
the chief arguments against Christianity | 451 |
Christianity is timid and feeble | 459 |
A CENTURY OF SCHOLARSHIP | 466 |
why did he never finish his History of Rome? | 477 |
Arnold and Newman on translating Homer | 483 |
THE SYMBOLIST POETS AND JAMES | 501 |
How his energy dominated his conflicts | 619 |
Victor Hugo | 622 |
The chief arguments used by the moderns | 640 |
2503 | 645 |
Baroque Tragedy | 648 |
818 | 649 |
251 | 654 |
84 | 660 |
Hugo | 661 |
34454 | 670 |
Shelley | 672 |
A Century of Scholarship | 690 |
CONCLUSION | 693 |
The revolutionary era and the Renaissance | 703 |
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Otras ediciones - Ver todas
The Classical Tradition: Greek and Roman Influences on Western Literature Gilbert Highet Vista de fragmentos - 1949 |
The Classical Tradition: Greek and Roman Influences on Western Literature Gilbert Highet Vista de fragmentos - 1949 |
Términos y frases comunes
admired Aeneid ancient artistic authors baroque age beauty became Beowulf Boethius Boileau Cædmon called century characters Chaucer chief Christian church Cicero civilization classical literature Comedy contemporary culture Dante Dante's Dark Ages drama emotion English epic essay Europe famous France French German Gibbon Goethe greatest Greco-Roman Greece Greece and Rome Greek and Latin Greek and Roman hero heroic Homer Horace ideals Iliad imagination imitation important inspired Italian Italy Jean de Meun knew language legend less literary lived lyric medieval metre Middle Ages Milton modelled modern moral myth nature odes Odyssey original Ovid pagan pastoral pattern Petrarch philosophical Pindar Plato Plautus plays Plutarch poem poetic poetry poets produced prose Renaissance revolutionary Roman empire Rome Ronsard satire satirists says scholars Seneca Shakespeare sometimes songs spirit stanza story style symbol Telemachus thought tion tradition tragedy translation Trojan Vergil verse words writing written wrote
Pasajes populares
Página iv - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.