I.

IAMBIC verse the most proper for Greek tragedies, No. 39.
James, how polished by love, No. 71.

Idiots in great request in most German courts, No. 47.
Idols, who of the Fair Sex so called, No. 73.

Impudence gets the better of modesty, No. 2-An impudence
committed by the eyes, 20-The definition of English,
Scotch and Irish impudence, ibid.

Indian Kings, some of their observations during their stay
here, No. 50.

Indiscretion more hurtful than ill-nature, No. 23.

Injuries how to be measured, No. 23.

Inkle and Yarico, their story, No. 11.

Innocence, not equality, an exemption from reproof, 34.
Jonson (Ben): epitaph by him on a lady, No. 33.
Italian writers florid and wordy, No. 5.

K.

KIMBOW (Tho.) states his case in a letter to the Spectator,

No. 24.

Kissing-dances censured, No. 67.

L.

LADY's library described, No. 37.
Lætitia and Daphne, their story, No. 33.

Lampoons written by people that cannot spell, No. 16—witty
lampoons inflict wounds that are incurable, 23-the inhu-
man barbarity of the ordinary scribblers of lampoons, ibid.
Larvati, who so called among the ancients, No. 32.

Lath ('Squire) has a good estate, which he would part withal
for a pair of legs to his mind, No. 32.

Laughter (immoderate) a sign of pride, No. 47-The provo-
cations to it, ibid.

Lawyers divided into the peaceable and litigious, No. 21. both..
sorts described, ibid.

Lear (King) a tragedy, suffers in the alteration, No. 40.

Lee, the poet, well turned for tragedy, No. 39.

Learning ought not to claim any merit to itself, but upon the
application of it, No. 6.

Leonora, her character, No. 37-The description of her
country-seat, ibid.
Letters to the Spectator; complaining of the masquerade,
No. 8-From the opera-lion, 14-From the under-sexton
of Covent Garden parish, ibid-From the undertaker of the
masquerade, ibid-From one who had been to see the opera
of Rinaldo, and the puppet-show, ibid-From Charles Lil-
lie, 16—From the President ef the Ugly Club, 17-From S.
C. with a complaint against the Starers, 20-From Tho.
Prone, who acted the wild boar that was killed by Mrs.
Tofis, 22-From William Screne and Ralph Simple, ib.
From an actor, ib. From Latinus, ib. From Tho. Kimbow,
24-From Will Fashion to his would-be acquaintance,
ibid-from Mary Tuesday on the same subject, ibid-
From a Valetudinarian to the Spectator, 25-From some
persons to the Spectator's Clergyman, 27-From one who
would be inspector of the sign-posts, 28-From the master
of the show at Charing-Cross, ibid-From a member of the
Amorous Club at Oxford, 30-from a member of the
Ugly Club, 32-From a gentleman to such ladies as are
professed beauties, 33-To the Spectator from T. D. con-
taining an intended regulation of the playhouse, 36-From
the playhouse thunder, ib. From the Spectator to an affect-
eu very whty man, 36-From a irrarried man, with a com-
plaint that his wife painted, 41-From Abraham Froth, a
member of the Hebdomadal meeting in Oxford, 43-From
a husband plagued with a gospel-gossip, 46-From an Og-
ling-master, ib. To the President and Fellows of the Ugly
Club, 48-From Hecatissa, ib. From an old beau, ib. From
Epping, with an account of strollers, ib. From a Lady, com-
plaining of a passage in the Funeral, 51-From Hugh Go-
blin, President of the Ugly Club, 52-From Q. R. concern-
ing laughter, ib. Spectator's answer, ib. From R. B. with a
proposal relating to the education of lovers, 53-From An-
na Bella, ib. From a splenetic gentleman, ib. From a re-
formed Starer, complaining of a peeper, ib. From King
Latinus ib. From a gentleman at Cambridge: an account
of a new sect of Philosophers called Loungers, 54-From
Celimene, 66-From a father, complaining of liberties ta-
ken in country dances, ib. From James to Betty, 71-To
the Spectator from the Ugly Club, at Cambridge, 78-
From a whimsical young lady, 79-From B. D. desiring a
catalogue of books for the female library, ib.
Letter-dropper of antiquity, who, No. 59,

Library, a Lady's library described, No. 37.
Life, the duration of it uncertain, No. 27.

Lindamira, the only woman allowed to paint, No. 41.
Lion in the Hay-market, occasioned many conjectures in the
town, No. 13-Very gentle to the Spectator, ib.
London an emporium for the whole earth, No. 69.
Love, the general concern of it, No. 30.

Love of the world, our hearts misled by it, No. 27.

Luxury, what, No. 55-attended often with avarice, No. 27—
a fable of hose two vices, ib.

Loungers, a new sect of Philosophers in Cambridge, No. 54.

M.

MAN a sociable animal, No. 2-The loss of public and pri-
vate virtues owing to men of parts, 6.

Masquerade, a complaint against it, No. 8-The design of
it, ib.

Mazarine (Cardinal) his behaviour to Quillet, who had re-
flected upon him in a poem, No. 23.

Merchants of great benefit to the public, No. 69.

Mixed wit described, No. 62.

Mixed communion of men and spirits in paradise, as describ-
ed by Milton, No. 12.

Mode, on what it ought to be built, No. 6.

Moliere made an old woman a judge of his plays, No. 70.
Modesty the chief ornament of the fair sex, No. 6.

Monuments in Westminster-Abbey examined by the Specta-
tor, No. 26.

Mourning, the method of it considered, No. 64-Who the
greatest mourners, ib.

Music banished by Plato out of his commonwealth, No. 18-
Of a relative nature, 29.

.N.

NEIGHBOURHOOD, of whom consisting, No. 49.
Newberry (Mr.) his rebus, No. 59.

New-River, a project of bringing it into the playhouse, 5.
Nicolini (Signior) his voyage on pasteboard, No. 5—His
combat with a lion, 13-Why thought to be a sham one,
ibid-An excellent actor, ibid.

O.

OATES (Dr.) a favourite with some party ladies, No. 57.
Ogler, the complete ogler, No. 46.

Old maids generally superstitious, o. 7.
Old Testament in a perriwig, No. 58.

Opera, as it is the present entertainment of the English stage,
considered, No. 5—The progress it has made on our the-
atre, 18-Some account of the French opera, 29.
Otway commended and censured, No. 39.

Overdo, a Justice of Epping, offended at a company of strol-
lers, for playing the part of Clodpate, and making a moc-
kery of one of the Quorum, No. 48.

Oxford scholar's great discovery in a coffee-house, No. 46.

P.

PAINTER and Taylor often contribute more than the Poet
to the success of a tragedy, o. 42.

Parents: their taking a liking to a particular profession often
occasions their sons to miscarry, No. 21.

Parties crept much into the conversation of the ladies, No. 57
-Party zeal very bad for the face, ibid.

Particles English, honour done them in operas, No. 18.
Passions, the conquest of them a difficult task, No. 71.
Peace, some ill consequences of it, No. 45.

Peepers described, o. 53.

Pharamond: memoirs of his private life, No. 76-His great
wisdom, ibid.

Philautia, a great votary, No. 79.

Philosophy, the use of it, No. 7—said to be brought by So-
crates down from Heaven, 10.

Physician and Surgeon, their different employment, No. 16-
the physicians a formidable body of men, 21-compared
to the British army in Cesar's time, No. 21—their way of
converting one distemper into another, 25.

Picts, what women so called, No. 41-no faith to be kept
with them, ibid.

Pinkethman, to personate King Porus on an elephant, No. 31.
Players in Drury-Lane, their intended regulations, No. 36.
Poems in picture, No. 58.

Poets (English) reproved, No. 39, 40-Their artifices, 44,

Poetesses (English) wherein remarkable, No. 51.

Powell (senior) to act Alexander the Great on a dromedary,
No. 31-His artifice to raise a clap, 40.

per-

Powell (junior) his great skill in motions, No. 14-Hisp
formance referred to the opera of Rinaldo and Armida, ib,
Praise, the love of it implanted in us, No. 38.

Pride, a great enemy to a fine face, No. 33.

Professions: the three great ones overburdened with practi-
tioners, No. 21.

Projector, a short description of one, No. 31.
Prosper (Will) an honest tale-bearer, No. 19.

Punchinello frequented more than the church, No. 14-Punch
out in the moral part, ibid.

Punning much recommended by the practice of all ages, No.
61-In what age the pun chiefly flourished, ibid—A famous
university much infested with it, ibid-Why banished at
present out of the learned world, ibid-The definition of a
pun, ibid.

Q.

QUALITY no exemption from reproof, No. 34.
QUIXOTE (Don) patron of the Sighers club, No. 30.

R.

RANTS considered as blemishes in our English tragedies,
No. 30.

Rape of Proserpine, a French opera, some particulars in it,
No. 29.

Reason instead of governing passion, is often subservient to it,
No. 6.

Rebus, a kind of false wit in vogue among the ancients, No.
59-and our own countrymen. ibid-A Rebus at Blenheim
House condemned, ib.

Recitativo (Italian) not agreeable to an English audience, No.
29--Recitative music in every language ought to be adapt-
ed to the accent of the language, ib.

Retirement, the pleasure of it, where truly enjoyed, No. 4.
Rich (Mr.) would not suffer the Opera of Whittington's Cat
to be performed in his house, &c. No. 5.

Royal Exchange, the great resort to it, No. 69.

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