Music of the SirensLinda Phyllis Austern, Inna Naroditskaya Indiana University Press, 2006 - 423 páginas Whether referred to as mermaid, usalka, mami wata, or by some other name, and whether considered an imaginary being or merely a person with extraordinary abilities, the siren is the remarkable creature that has inspired music and its representations from ancient Greece to present-day Africa and Latin America. This book, co-edited by a historical musicologist and an ethnomusicologist, brings together leading scholars and some talented newcomers in classics, music, media studies, literature, and cultural studies to consider the siren and her multifaceted relationships to music across human time and geography. |
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Página 318
... body . Indeed , the megastar's body is more important than her sound to her success , and it is this melding of body / nature to a proscribed male fantasy that defines the twenty - first - century pop music siren . We would like to ...
... body . Indeed , the megastar's body is more important than her sound to her success , and it is this melding of body / nature to a proscribed male fantasy that defines the twenty - first - century pop music siren . We would like to ...
Página 357
... body . " 35 This gendered dynamics between embodied voice and invisible speech , which represents diegetic interiority and exteriority , respectively , is especially visible in film noir , for male voiceover is one of the prominent ...
... body . " 35 This gendered dynamics between embodied voice and invisible speech , which represents diegetic interiority and exteriority , respectively , is especially visible in film noir , for male voiceover is one of the prominent ...
Página 362
... body but the sight of her voice . Dorothy is indeed a siren who is empowered by her voice , her music , her embodied ... body , between sound and image . As discussed above , diegetic performance has been strategically employed to create ...
... body but the sight of her voice . Dorothy is indeed a siren who is empowered by her voice , her music , her embodied ... body , between sound and image . As discussed above , diegetic performance has been strategically employed to create ...
Contenido
LEOFRANC HOLFORDSTREVENS | 16 |
Siren Traditions | 105 |
Heavenly and Earthly Sirens | 140 |
Derechos de autor | |
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Términos y frases comunes
African album alluring ancient Andean artists associated beautiful Benin City bestiaries Blue Velvet body Cambridge Carey Carnival century Charango Christian classical context corporate siren creatures culture dance dangerous Dargomyzhsky's David Lynch death Deniz Kızı Eftalya diegetic Dorothy Dorothy's early modern ears emblem emblem books embodied enchantment English European fantasy female feminine femme fatale film gender Greek hear heroine Homer Ibid instruments Istanbul Kalankira Kniaz legend listen Little Mermaid London Loreley male Mami Wata Mami Wata/mami wata Mariah Mariah Carey melodies Mermaid meyhane Muses musicians myth mythical narrative Odysseus opera Oxford performance Physiologus play poem poet poetry popular praise Pushkin Renaissance Rhine rock Rusalka Russian scene seductive sexual singer singing Sirènes sirinus soul sound spirit Stobart sweet symbol tion tradition trans Turkish Twain Ulysses University Press visual vocal voice wave music wayñu woman women York