The Intent of the Critic

absolute argument artist Auden aware belief century character completely consciousness cuckoo discourse Edmund Wilson effect elements Eliot emotion esthetic and ethical esthetic criticism esthetic judgment esthetic values esthetician ethical judgment example experience feeling Foerster four essays Freudian historical human I. A. Richards ideal critic ideas imaginative individual intent interest interpretation intuitive John Crowe Ransom John Steinbeck judging kind litera literary criticism literature lyric Marxist mean ment metaphysical modern moral moralistic nature necessity Neo-Humanist Norman Foerster ontological open society painting perhaps philosophy poem poet poetic poetry point of view political precisely problem prose psychology R. P. Blackmur Ransom reader realize relation rôle seems sense Shakespeare social Sophocles speculative standards stanza struc structure systematic T. S. Eliot Taine texture Theodore Meyer thing thought tion tradition truth ture understanding unity W. H. Auden whole Wilson wisdom words writers